Bibliografía

• Agamben, Giorgio. 2014. “To Whom is Poetry Addressed?” Translated by Daniel Heller-Roazen. New Observations, no. 130: 10-11.
• Alpers, Paul. 2013. “Apostrophe and the Rhetoric of Renaissance Lyric.” Representations, 122 (1): 1–22.
• Auerbach, Erich. 1953. Mimesis. The Representation of Reality in Western Literature, translated by Willard R. Trask Princeton, London: Princeton University Press.
• Barnabé, Christophe. 2018. “Du bruissement des organes à la musique des vers: la cénesthésie à l’œuvre dans ‘Les Nerfs’ de Jules Supervielle.” In La figure du poète-médecin, XXe-XXIe siècles. Edited by Thomas Augais, Martina Diaz, Julien Knebusch and Alexandre Wenger. Geneva: Georg, 2018. 79-98.
• Batsone, William W. 2002. “Catullus and Bakhtin: The Problems of a Dialogic Lyric.” In Bakhtin and the Classics. Edited by R. Bracht Branham. Evanston, IL: Northwestern University Press. 99-136.
• Baudelaire, Charles. 1976. Œuvres complètes. Edited by Claude Pichois. Paris: Gallimard. Vol. 2.
• Burt, Stephen. 2016. “What Is This Thing Called Lyric?” Modern Philology 113 (3): 422–440.
• Celan, Paul. 1986. Collected Prose. Translated by Rosmarie Waldrop. Manchester: PN Review and Carcanet.
• Celan, Paul.1983. Ansprache Anlässlich der Entgegennahme des Literaturpreises der Freien Hansestadt Bremen [Bremer Rede, 1958]. In Gesammelte Werke in fünf Bänden. Ed. By Beda Allemann and Stefan Reichert, vol. 3, Frankfurt: Suhrkamp, 1983. 185–186.
• Culler, Jonathan. 1977. “Apostrophe.” Diacritics 7 (4): 59–69.
• Culler, Jonathan. 2011. Literary Theory: A Very Short Introduction. 2nd Edition. Oxford: Oxford University Press.
• Culler, Jonathan. 2015. Theory of the Lyric. Cambridge, Mass.: Harvard University Press.
• Derrida, Jacques. 1980. La carte postale: de Socrate à Freud et au-delà. Paris: Flammarion.
• Eliot, T. S. 1957. “The Three Voices of Poetry” [1953]. In On Poetry and Poets. London: Faber and Faber. 89-102.
• Eskin, Michael. 2000a. “Bachtin on Poetry.” Poetics Today 21: 379-91.
• Felman, Shoshana, and Laub, Dori. 1992. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. New York: Routledge.
• Findlay, L. M. 1985. ‘‘Culler and Byron on Apostrophe and Lyric Time,’’ Studies in Romanticism 24, no. 3 (1985): 335-353.
• Forché, Carolyn, and Wu, Duncan, eds. 2014. Poetry of Witness: The Tradition in English, 1500-2001. New York: W.W. Norton & Company.
• Forché, Carolyn, ed. 1993. Against Forgetting: Twentieth-Century Poetry of Witness. New York: W.W. Norton.
• Frye, Northrop. 1957. Anatomy of Criticism. Princeton: Princeton University Press.
• Frye, Northrop. 1976. Spiritus Mundi: Essays on Literature, Myth, and Society. Bloomington: Indiana University Press.
• Genette, Gérard. 1997 [1994]. The Work of Art. Immanence and Transcendence. Ithaca: Cornell University Press.
• Glavey, Brian. 2019. “Having a Coke with You Is Even More Fun Than Ideology Critique.” Publications of the Modern Language Association of America 134 (5): 996–1011.
• Greene, Roland. 1991. Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence. Princeton: Princeton University Press.
• Greene, Thomas. 1991. Poésie et magie. Paris: Julliard.
• Grojnowski, Daniel. 1994. “De Mallarmé à l’art postal.” Poétique 100: 427-434.
• Jackson, Virginia. 2005. Dickinson’s Misery: A Theory of Lyric Reading. Princeton, N.J.: Princeton University Press.
• Jakobson, Roman. 1987. “Linguistics ad Poetics” [1960]. In Language in Literature. Edited by Krystyna Pomorska, and Stephen Rudy. Cambridge, Mass.: Belknap Press of Harvard University Press. 62–94.
• Johnson, Barbara. 1986. “Apostrophe, Animation, and Abortion." Diacritics 16 (1): 29-47.
• Johnson, W.R. 1982. The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry. Berkeley, CA: University of California Press.
• Kneale, J. D. 1999. “Apostrophe Reconsidered: Wordsworth’s ‘There Was a Boy’.” Romantic aversions: aftermaths of Classicism in Wordsworth and Coleridge. 1st ed. [Online]. Montreal: McGill-Queen’s University Press. 11–27.
• Levinson, Stephen C. 1983. Pragmatics. Cambridge: Cambridge University Press.
• Mandelstam, Osip. 1979. “On the Addressee” [1913]. In The Complete Critical Prose and Letters. Translated by Jane Gary Harris and Constance Link, Ann Arbor: Ardis. 67–73.
• Mill, John Stuart. 1981. “Thoughts on Poetry and Its Varieties” [1833]. In The Collected Works of John Stuart Mill, Volume I: Autobiography and Literary Essays. Edited John M. Robson and Jack Stillinger. Toronto: University of Toronto Press. 341–70.
• Nachtergael, Magali, and Reverseau, Anne, eds. 2022. Un monde en cartes postales: cultures en circulation. Marseille: Le mot et le reste.
• Nersessian, Anahid. 2020. The Calamity Form: On Poetry and Social Life. Chicago: The University of Chicago Press.
• Rabaté, Dominique, ed. 1996. Figures du sujet lyrique. Paris: Presses universitaires de France.
• Reverseau, Anne. 2018. “Lyrisme de la carte postale: effets d’adresse et diffusion de masse.” Épistolaire 44: 147-61.
• Ricalens-Pourchot, Nicole. 2003. Dictionnaire des figures de style. Paris: Armand Colin.
• Richter, David H. 1990. “Dialogism and Poetry. (Bakhtin and the Languages of the Novel: Evaluations, Reconsiderations).” Studies in the literary imagination 23, no. 1 (1990): 9-27.
• Scanlon, Mara, and Engbers, Chad, eds. 2014. Poetry and Dialogism. Hearing Over. Basingstoke: Palgrave Macmillan.
• Schlafffer, Heinz. 2012. Geistersprache: Zweck und Mittel der Lyrik. München: Hanser.
• Slater, Avery. 2014. “Prepostrophe: Rethinking Modes of Lyric Address in Wislawa Szymborska’s Poetry of the Non-Human.” Thinking Verse 4 (1): 140–159.
• Spitzer, Leo. “The Addresses to the Reader in the Commedia.” Italica 32 (1955): 143-165.
• Van Vleck, Amelia E. 1991. Memory and Re-Creation in Troubadour Lyric. Berkeley: University of California Press.
• Vendler, Helen, ed. 1997b. Poems, Poets, Poetry: An Introduction and Anthology. Boston: Bedford/St. Martins.
• Vendler, Helen. 1995. The Given and the Made: Strategies of Poetic Redefinition. Cambridge, Mass.: Harvard University Press.
• Vendler, Helen. 1997a. The Art of Shakespeare’s Sonnets. Cambridge, Mass.: Harvard University Press.
• Vendler, Helen. 2005. Invisible Listeners: Lyric Intimacy in Herbert, Whitman, and Ashbery. Princeton: Princeton Univ. Press.
• Waters, William. 2003. Poetry’s Touch. On Lyric Address. Ithaca, New York: Cornell Univ. Press.
• Waters, William. 2012a. “Address.” In The Princeton Encyclopedia of Poetry and Poetics, edited by Roland Greene, Stephen Cushman, Clare Cavanagh, Jahan Ramazani, and Paul Rouzer. Princeton, Oxford: Princeton Univ. Press: 6–8.
• Waters, William. 2012b. “Apostrophe.” In The Princeton Encyclopedia of Poetry and Poetics, edited by Roland Greene, Stephen Cushman, Clare Cavanagh, Jahan Ramazani, and Paul Rouzer. Princeton, Oxford: Princeton Univ. Press: 61-62.
• van der Haven, Cornelis, and Pieters, Jürgen, eds. 2018. Lyric address in Dutch literature, 1250-1800. Amsterdam: Amsterdam University Press.

Bibliografía adicional

• Benveniste, Emile. 1971. ‘The Nature of Pronouns” [1956]. In Problems in General Linguistics. Translated by Mary E. Meek. Coral Gables: University of Miami Press. 217–222.
• Buber, Martin. 2000. I and Thou [1923]. Translated by Ronald Gregor Smith. New York: Scribner.
• Culler, Jonathan. 2024. “Adresse, apostrophe.” In Dictionnaire du lyrique. Edited by Antonio Rodriguez. Paris: Classiques Garnier.
• Dubrow, Heather. 2008. The Challenges of Orpheus: Lyric Poetry and Early Modern England. Baltimore: Johns Hopkins University Press.
• Engler, Balz. 1987. “Deictics and the Status of Poetic Texts.” In The Structure of Texts. Edited by Udo Fries. Tubingen: Narr. 65-73.
• Eskin, Michael. 2000b. Ethics and Dialogue in the Works of Levinas, Bakhtin, Mandel’shtam, and Celan. New York: Oxford University Press.
• Glavey, Brian. 2019. “Having a Coke with You Is Even More Fun Than Ideology Critique.” Publications of the Modern Language Association of America 134 (5): 996–1011.
• Goffman, Erving. 1981. Forms of Talk. University of Pennsylvania Press.
• Heller-Roazen, Daniel. 2025. Far Calls : On Omens, Slips & Epiphanies. New York: Zone Books.
• Heller-Roazen, Daniel. 2025. “Missing Person Pronouns.” Representations, 172 (1): 162–172. 
• Holden, Jonathan. 1980. “The Abuse of the Second-Person Pronoun.” In Jonathan Holden: The Rhetoric of the Contemporary Lyric: 38-56.
• Keniston, Ann. 2016. Overheard Voices: Address and Subjectivity in Postmodern American Poetry. Abingdon, London: Routledge.
• Quintilian. 2002. The Orator’s Education. Edited and translated by D. A Russell. Cambridge, MA: Harvard University Press.
• Riffaterre, Michael. 1978. Semiotics of Poetry. Bloomington: Indiana University Press.
• Riley, Denise. 2026. A Chorus of Ears: On “The Voice of the Poem”. London: Picador.
• Smith, Barbara Herrnstein. 1978. On the Margins of Discourse : The Relation of Literature to Language. Chicago: University of Chicago Press.
• Smith, J. Mark. 2007. “Apostrophe, or the Lyric Art of Turning Away.” Texas studies in literature and language 49 (4): 411–437.

Fuentes primarias

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• Bonnefoy, Yves. 2023. Œuvres poétiques. Edited by Odile Bombarde, Patrick Labarthe, Daniel Lançon, Patrick Née, and Jérôme Thélot. Paris: Gallimard.
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• Catullus, Gaius Valerius. 1983. Catullus. Edited and translated by G. P Goold London: Duckworth.
• Celan, Paul. 2020. Memory Rose into Threshold Speech: The Collected Earlier Poetry: A Bilingual Edition. Translated by Pierre Joris. New York: Farrar, Straus and Giroux. EPUB.
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