Bibliographie

• Attridge, Derek. 2019. “The Rhythms of the English Dolnik.” In Critical Rhythm. The Poetics of a Literary Life Form, edited by Ben Glaser and Jonathan Culler, 153–173. New York: Fordham University Press. DOI: 10.1515/9780823282067.
• Bachleitner, Norbert. 2005. “The Virtual Muse. Forms and Theory of Digital Poetry.” In Theory into Poetry, 303–44. Brill. https://doi.org/10.1163/9789401202510_016.
• Beardsley, Monroe C. 1970. The Possibility of Criticism. Detroit: Wayne State University Press.
• Bode, Frauke. 2019. “Autobiographical/Autofictional Poetry.” In Handbook of Autobiography / Autofiction, edited by Martina Wagner-Egelhaaf, 473–84. Berlin: De Gruyter. https://doi.org/10.1515/9783110279818.
• Culler, Jonathan. 2015. Theory of the Lyric. Cambridge, Mass.: Harvard University Press.
• Dijkstra, Cathrynke, and Martin Gosman. 1995. “Poetic Fiction and Poetic Reality: The Case of the Romance Crusade Lyrics.” Neophilologus 79 (1): 13–24. https://doi.org/10.1007/BF00999559.
• Dominicy, Marc. 2019. “L’énonciation lyrique et la théorie des actes de langage.” In Sècnes d’énonciation de la poésie lyrique moderne : Approches critiques, repères historiques, perspectives culturelles, edited by Amir Bigliari and Nathalie Watteyne, 41–59. Paris: Classiques Garnier.
• Fludernik, Monika. 2018. “The Fiction of the Rise of Fictionality.” Poetics Today 39 (1): 67–92. https://doi.org/10.1215/03335372-4265071.
• Frye, Northrop. 1957. Anatomy of Criticism; Four Essays. Princeton: Princeton University Press. https://bac-lac.on.worldcat.org/oclc/299352660.
• Genette, Gérard. 1993. Fiction & Diction. Translated by Catherine Porter. Ithaca; London: Cornell University Press.
• Genette, Gérard. 2004. Fiction et diction. Points. Paris: Editions du Seuil.
• Gibson, John, and Hannah Kim. 2021. “Lyric Self-Expression.” In Art, Representation, and Make-Believe: Essays on the Philosophy of Kendall L. Walton, edited by Sonia Sedivy, 94–111. London; New York: Routledge.
• Hamburger, Käte. 1973. The Logic of Literature. Translated by Marilynn J. Rose. Bloomington: Indiana University Press.
• Hamminga, Bert. 2005. “Language, Reality and Truth: The African Point of View.” In Knowledge Cultures: Comparative Western and African Epistemology, edited by Bert Hamminga, 85–115. Poznań Studies in the Philosophy of the Sciences and the Humanities. Amsterdam: Rodopi.
• Hanna, Christophe. 2010. Nos dispositifs poétiques. Paris: Questions théoriques.
• Hegel, Georg Wilhelm Friedrich. 1986. Vorlesungen über die Ästhetik. Edited by Eva Moldenhauer and Karl Markus Michel. Frankfurt am Main: Suhrkamp.
• Hühn, Peter. 2014. “The Problem of Fictionality and Factuality in Lyric Poetry.” Narrative 22 (2): 155–68.
• Jenny, Laurent. 1996. “Fictions du moi et figurations du moi.” In Figures du sujet lyrique, edited by Dominique Rabaté, 99–111. Perspectives littéraires. Paris: Presses Universitaires de France. http://digitale-objekte.hbz-nrw.de/storage/2009/10/05/file_18/3236541.pdf.
• Jullien, François. 2003. La valeur allusive: Des catégories originales de l’interprétation poétique dans la tradition chinoise, contribution à une réflexion sur l’altérité interculturelle. Quadrige. Paris: Presses universitaires de France.
• Leibovici, Franck. 2007. des documents poétiques. Marseille: Al Dante//Questions théoriques.
• Leibovici, Franck. 2020. Des opérations d'écriture qui ne disent pas leur nom. [Paris]: Questions théoriques.
• Magnuson, Jordan. 2023. Game Poems: Videogame Design as Lyric Practice. Amherst: Amherst College Press.
• Novak, Julia. 2011. Live Poetry. An Integrated Approach to Poetry in Performance. Amsterdam: Rodopi.
• Pavel, Thomas G. 1989. Fictional Worlds. Cambridge, MA: Harvard University Press.
• Pic, Muriel. 2016. Élégies Documentaires. Paris: Éditions Macula.
• Rabaté, Dominique. 2017. “A World of Gestures.” Journal of Literary Theory 11 (1): 89–96.
• Ricoeur, Paul. 1975. La métaphore vive. Ordre Philosophique. Paris: Seuil.
• Rodriguez, Antonio. 2003. Le pacte lyrique: configuration discursive et interaction affective. Sprimont: Mardaga.
• Rodriguez, Antonio. 2012. “Fiction, figuration et diction en poésie lyrique: énonciation et pragmatique dans la théorie française contemporaine.” In Présences du sujet dans la poésie française contemporaine (1980-2008) : figurations, configurations et postures énonciatives, edited by Elisa Bricco, 143–58. Saint-Étienne: Publications de l’Université de Saint-Etienne.
• Schaeffer, Jean-Marie. 1989. Qu’est-ce qu’un genre littéraire? Poétique. Paris: Editions du Seuil.
• Schaeffer, Jean-Marie. 2014. “Fictional vs. Factual Narration.” In Handbook of Narratology:, edited by Peter Hühn, Jan Christoph Meister, John Pier, and Wolf Schmid, 179–96. Berlin: De Gruyter
• Simecek, Karen. 2023. Philosophy of Lyric Voice: The Cognitive Value of Page and Performance Poetry. Bloomsbury Studies in Philosophy and Poetry. London: Bloomsbury Publishing. https://public.ebookcentral.proquest.com/choice/PublicFullRecord.aspx?p=7280477.
• Smith, Barbara Herrnstein. 1988. Contingencies of Value. Alternative Perspectives for Critical Theory. Cambridge and London: Harvard University Press.
• Wall-Romana, Christophe. 2013. Cinepoetry. Imaginary Cinemas in French Poetry. New York: Fordham University Press.
• Walton, Kendall L. 1993. Mimesis As Make-Believe: On the Foundations of Representational Arts. Cambridge, MA; London: Harvard University Press.
• Walton, Kendall L. “Thoughtwriting—in Poetry and Music.” New Literary History 42:455.
• Wiredu, Kwasi. 2004. “Truth and an African Language.” In African Philosophy: New and Traditional Perspectives, edited by Lee M. Brown, 35–50. Oxford: Oxford University Press. http://www.gbv.de/dms/bowker/toc/9780195114416.pdf.
• Wolf, Werner, Walter Bernhart, and Andreas Mahler, eds. 2013. Immersion and Distance: Aesthetic Illusion in Literature and Other Media. Studies in Intermediality 6. Amsterdam: Rodopi. http://site.ebrary.com/id/10738835.

Weitere Bibliographie

• Borsche, Tilman. 2019. “Erkennen - philosophisch und lyrisch.” Internationale Zeitschrift für Kulturkomparatistik 1:47–59.
• Grübel. 2019. “Lügen die Dichter? Poetische und diskursive Er-Kenntnis.” Internationale Zeitschrift für Kulturkomparatistik 1:93–117.
• Hempfer, Klaus W. 2019. “Lyrik und Fiktion(alität).” Recherches germaniques, no. HS 14 (July), 56–77. https://doi.org/10.4000/rg.1188.
• Kitchen, Judith. 2011. “Grounding the Lyric Essay.” Fourth Genre: Explorations in Nonfiction 13 (2): 115–21.
• Reents, Friederike. 2019. “Über Wahrheit und Lyrik im außermoralischen Sinne: Transmoderne Zeitgeschichtslyrik am Beispiel der 9/11-Gedichte von Durs Grünbein und Thomas Kling.” Application/pdf. Internationale Zeitschrift für Kulturkomparatistik 1:243–62. https://doi.org/10.25353/UBTR-IZFK-61CC-8B02.
• Schildknecht, Christiane. 2019. “Zwischen Proposition und Erlebnis. Zum Erkenntnisbegriff der Lyrik aus philosophischer Sicht.” Internationale Zeitschrift für Kulturkomparatistik 1:33–45.
• Stelzig, Eugene. n.d. “‘Lives Without Narrative’: Romantic Lyric as Autobiography.” The Wordsworth Circle 43 (1): 56–58.
• Stuckey-French, Ned. 2020. “Creative Nonfiction and the Lyric Essay: The American Essay in the Twenty-First Century.” In On Essays: Montaigne to the Present, edited by Thomas Karshan and Kathryn Murphy, First published in paperback, 293–312. Oxford: Oxford University Press.
• Vervaeck, Bart. 2013. “Door de mazen van het net geglipt. Lyricisering in postmodern proza.” Revue belge de philologie et d’histoire 91 (3): 655–84. https://doi.org/10.3406/rbph.2013.8460.
• Zymner, Rüdiger. 2017. “Lyric and Its ›Worlds‹.” Journal of Literary Theory 11 (1): 149–60
• Zymner, Rüdiger. 2019. “Lyrik und Erkenntnis.” Internationale Zeitschrift für Kulturkomparatistik 1:61–77.