Bibliographie

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• Auerbach, Erich, and Willard Ropes Trask. 1953. Mimesis the Representation of Reality in Western Literature. Princeton, London: Princeton University Press Cumberlege, Oxford University Press.
• Bakhtin, Mikhail M. 2009. Rabelais and his World. Translated by Helene Iswolski. Bloomington, Indiana: Indiana University Press.
• Bakhtin, Mikhail Mikhailovich. 1981. The Dialogic Imagination. Four Essays. Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press.
• Bauman, Richard. 1984. Verbal Art as Performance. Prospect Heights, Ill.: Waveland Press.
• Bridgman, Richard. 1966. The colloquial style in America. New York: Oxford University Press.
• Bâ, Amadou Hampâté. 1981. “The Living tradition”. In General history of Africa, I: Methodology and African prehistory, ed. by J. Ki-Zerbo. UNESCO. University of California Press: Heinemann Educational Books.
• Caplan, David. 2014. Rhymes Challenge: Hip Hop, Poetry, and Contemporary Rhyming Culture. Oxford: Oxford University Press.
• Casta, Ange, dir. 1969. Amadou Hampâté Bâ. Office National de Radiodiffusion Française, video 57 min.
• Castro, Eduardo Viveiros de. 1998. “Cosmological Deixis and Amerindian Perspectivism.” The Journal of the Royal Anthropological Institute 4, no. 3, 469-88.
• Cesarino, Pedro de Niemeyer. 2011. Oniska: Poética do Xamanismo na Amazônia Perspectiva/Fapesp.
• Chopin, Henri. 1992. Mutações poéticas. In Poesia Sonora: poéticas experimentais da voz no século XX, ed. P. Menezes. São Paulo: EDUC.
• Christin, Anne-Marie. 2002. A History of Writing: From Hieroglyph to Multimedia. Paris, London: Flammarion ; Thames & Hudson.
• Clastres, Pierre. 1974. La Société contre l’État. Paris: Les Editions de Minuit.
• Clastres, Pierre. 1974. Le Grand Parler. Mythes et chants sacrés des indiens guarani. Paris: Seuil.
• Derrida, Jacques. 1967. De la grammatologie. Paris : Les Éditions de Minuit.
• Derrida, Jacques. 1967. La voix et le phénomène. Paris: P.U.F.
• Diagne, Souleymanne Bachir. 2022. De langue à langue: l’hospitalité de la traduction. Paris: Albin Michel.
• Dor, Rémy. 1995. “Ecrire L’oral, Traduire L’écrit : Quelques Remarques Centrées sur des Matériaux ÖZbek.” Revue Des Mondes Musulmans et de La Méditerranée
• Fechner, Matthias; Immer, Nikkolas; Stahl, Henrieke (eds.) 1992. Wiederkehr des Subjekts? Streifzüge durch Philosophie, Theorie und die Lyrik in der Gegenwart. Berlin: Peter Lang, 2022.
• Finnegan, Ruth. 1992. Oral poetry: Its nature, significance and social context. Bloomington: Indiana University Press.
• Flores, Valdomiro; Flores,Tereza Amarilia; Oliveira, Luciana de. 2020. Ñe’ẽ Tee Rekove = Palavra Verdadeira Viva. PPGCOM/UFMG.
• Foley, John M. 1985. Oral-Formulaic Theory and Research: An Introduction and Annotated Bibliography. New York: Garland.
• Franchetto, Bruna. 2021. “Amerindian conceptions on ‘writing’, as object and practice”. Journal of Cultural Cognitive Science, 5: 1-16. https://doi.org/10.1007/s41809-020-00069-y.
• Friedrich, Hugo. 1956. Die Struktur der modernen Lyrik: Von Baudelaire bis zur Gegenwart. Hamburg: Rowohlt.
• Gallois, Dominique Tilkin. 2002. Ilustrações: índios Wajãpi. Kusiwa: pintura corporal e arte gráfica wajãpi. Museu do Índio-FUNAI/APINA/CTI/NHII-USP.
• Goody, Jack, and Ian Watt. 1963. The Consequences of Literacy. Comparative Studies in Society and History 5:3:304-345.
• Guss, Dave M. 1990. To Weave and Sing: Art, Symbol, and Narrative in the South American Rainforest. Berkeley, Calif : University of California Press.
• Havelock, Eric Alfred. 1963. Preface to Plato. Oxford: Basil Blackwell.
• Hymes, Dell. 1981. ‘In vain: I tried to tell you’: Essays in Native American ethnopoetics. Philadelphia: University of Pennsylvania Press.
• Lord, Albert B. 1960. The Singer of Tales. Cambridge, Mass.: Harvard University Press.
• Lévi-Strauss, Claude. 1962. La pensée sauvage. Paris: Plon.
• McCaffery, Steve and Nichol bp. 1978. Sound Poetry: A Catalogue. Toronto: Underwhich Editions.
• McLuhan, Marshall. 1994. Undertanding media: The extensions of the man. Massachusetts: MIT Press.
• Meschonnic, Henri. 1982. Critique du rythme. Anthropologie historique du langage. Lagrasse: Verdier.
• Métraux, Alfred. 1928. La civilisation matérielle des tribus Tupi-Guarani. Paris: Paul Geuthner.
• Müller, Adalberto. 2023. Poética e tradução de cantos Kaiowá. Niterói: UFF.
• Ong, Walter J. 1982. Orality and Literacy. The Technologizing of the Word. New York: Methuen.
• Packer, Ian. 2019. “Sobre a lenha, labareda sou: poética da memória em um canto ritual krahô”. Cadernos de Tradução, 39 : 227-247.
• Packer, Ian. 2023. “Cantos de maracá (cohtoj jarkwa) – Krahô”. Gratuita 4: animais, 4 :37-49.
• Parry, Milman and Parry, Adam (eds.) 1971. The making of Homeric verse. The Collected Papers of Milman Parry. New York: Clarendon Press.
• Parry, Milman. 1928. L'epithète traditionelle dans Homère: Essai sur un problème de style homérique. Paris: Les Belles Lettres.
• Powell, Barry B. 2009. Writing: Theory and History of the Technology of Civilization. Chichester, U.K.: Wiley-Blackwell.
• Severi, Carlo. 2015. The Chimera Principle. An Anthropology of Memory And Imagination. Translated by Janet Lloyd. Foreword by David Graeber. Hau Books.
• Smith, Marc Kelly; Kraynak, Joe. 2009. Take the mic: the art of performance, poetry, slam and spoken word. Naperville, Ill.: Sourcebooks MediaFusion.
• Toop, David. 2000. Rap attack 3: African Rap to Global Hip Hop. London: Serpent’s Tail.
• Unkel, Curt. 1914. Die Sagen Von Der Erschaffung Und Vernichtung Der Welt Als Grundlagen Der Religion Der Apapocúva-Guaraní. Zeitschrift Für Ethnologie, 46, 1914, P. 284-403.
• Zumthor, Paul. 1983. Introduction à la poésie orale. Paris: Seuil.
• Zumthor, Paul. 1987. La Lettre et la Voix. De la "littérature" médiévale. Paris: Ed. du Seuil.

Weitere Bibliographie

• Frith, Simon. 1998. Performing Rites. On the Value of Popular Music. Cambridge, Mass.: Harvard University Press.
• Frog and Lamb, William. 2022. Weathered Words: Formulaic Language and Verbal Art. Cambridge, Massachusetts: The Milman Parry Collection of Oral Literature, Harvard University.
• Müller, Adalberto. 2023. Ayvu Rapyta: A cosmopoética Guarani-Mbyá. Tese apresentada ao Instituto de Letras para concurso de Professor Titular da UFF. Niterói, RJ: Instituto de Letras da Universidade Federal Fluminense.
• Okpewho, Isidore. 1990. The oral performance in Africa. Ibadan: Spectrum Books.
• Ong, Walter. 2012. Orality and writing: The technologizing of the word. 2. London: Routledge.
• Zumthor, Paul. 1990. Oral poetry. An introduction. University of Minnesota Press.

Weitere Webliographie

• BIBLIOTECA DIGITAL CURT NIMUENDAJU http://www.etnolinguistica.org
• SOUND POETRY AT UBU https://www.ubu.com/papers/mccaffery.html
• THE MILMAN PARRY COLLECTION AT HARVARD LIBRARY https://library.harvard.edu/collections/milman-parry-collection-oral-literature
• UNIVERSAL HIP HOP MUSEUM https://uhhm.org