Bibliography

• Abrams, M. H., and G. G. Harpham. 2015. A Glossary of Literary Terms. Boston: Cengage.
• Adorno, Theodor W. 1975. “Kulturkritik und Gesellschaft.” In Gesellschaftstheorie und Kulturkritik, 46–65. Frankfurt: Suhrkamp.
• Adorno, Theodor W. 1981. “Engagement.” In Noten zur Literatur, edited by Rolf Tiedemann, 409–430. Frankfurt: Suhrkamp.
• Afribo, Andrea. 2002. Teoria e prassi della ‘gravitas’ nel Cinquecento. Firenze: F. Cesati.
• Altieri, Charles. 2006. The Art of Twentieth-Century American Poetry: Modernism and After. Malden, MA: Blackwell.
• Bahti, Timothy and Jenny C. Mann. 2016. “Trope.” In The Princeton Handbook of Poetic Terms, edited by Roland Greene and Stephen Cushman, 377–378. Princeton and Oxford: Princeton University Press.
• Bakhtin, Mikhail Mikhailovich. 1981. The Dialogic Imagination. Four Essays. Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press.
• Barfield, Owen. 1952. Poetic Diction: A Study in Meaning. London: Faber.
• Barthes, Roland. 1967. “Proust et les noms.” In To Honor Roman Jakobson. Essays on the Occasion of his Seventieth birthday, 11 October 1966. Vol. 1, 150–158. The Hague and Paris: Mouton.
• Barthes, Roland. 1982 [1973]. S/Z. Paris: Seuil.
• Battistini, Andrea. 2000. Barocco. Roma: Salerno Editrice.
• Beccaria, Gian Luigi. 1975. L’autonomia del significante: Figure del ritmo e della sintassi: Dante, Pascoli, D’Annunzio. Torino: Einaudi.
• Blank, Walter. 1997. “Allegorie3.” In Reallexikon der deutschen Literaturwissenschaft, new edition, vol 1, edited by Harald Fricke, Klaus Grubmüller, Jan-Dirk Müller and Klaus Weimar, 44–48. Berlin: de Gruyter.
• Brewster, Scott. 2009. Lyric. London and New York: Routledge.
• Brooks, Cleanth. 1960 [1947]. The Well Wrought Urn: Studies in the Structure of Poetry. London: Dennis Dobson.
• Burdorf, Dieter. 2000. “Lyrisch.” In Reallexikon der deutschen Literaturwissenschaft, edited by Harald Fricke, Klaus Grubmüller, Jan-Dirk Müller and Klaus Weimar, Vol. 2, 505–509. Berlin and New York: de Gruyter.
• Burdorf, Dieter. 2009. “Rhetorisch-stilistische Eigenschaften der Lyrik der Gegenwart.” In Rhetorik und Stilistik. Ein internationales Handbuch historischer und systematischer Forschung, Vol. 2 (HSK 31.2), edited by Ulla Fix, Andreas Gardt and Joachim Knape, 2082–2099. Berlin: de Gruyter.
• Castiglione, Baldesar. 1998. Il libro del Cortegiano, edited by Walter Barberis. Turin: Enaudi.
• Cicero, Marcus Tullius. 2014. Brutus. Orator. With an English translation by G.L. Hendrickson and H.M. Hubbell. Revised ed. Cambridge, Mass.: Harvard University Press.
• Clark, Alexander Frederick Bruce. 1937. “Alexander Sergeyevitch Pushkin”, University of Toronto Quarterly 6 (2): 174–188.
• Cohen, Jean. 1966. Structure du langage poétique. Paris: Flammarion.
• Contini, Gianfranco. 1970. Varianti e altra linguistica: Una raccolta di saggi (1938–1968). Torino: Einaudi.
• Contini, Gianfranco. 1974. Esercizî di lettura: sopra autori contemporanei con un’appendice su testi non contemporanei. Edizione aumentata di “Un anno di letteratura”. Torino: Einaudi.
• Contini, Gianfranco. 2023. Una corsa all’avventura. Saggi scelti (1932–1989), edited by Uberto Motta. Roma: Carocci.
• Corbett, Edward P. J. 1990. Classical Rhetoric for the Modern Student. 3rd edition. New York: Oxford University Press.
• Culler, Jonathan. 2015. Theory of the Lyric. Cambridge, Mass.: Harvard University Press.
• Devoto, Giacomo. 1950. Studi di stilistica. Firenze: Le Monnier.
• Devoto, Giacomo. 1962. Nuovi studi di stilistica. Firenze: Le Monnier.
• Devoto, Giacomo. 1975. Itinerario stilistico. Firenze: Le Monnier.
• Di Girolamo, Costanzo. 1976. Teoria e prassi della versificazione. Bologna: il Mulino.
• Diderot, Denis, and Jean Le Rond D’Alembert, eds. 1751–1772: Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 28 vols., Paris.
• Dilthey, Wilhelm. 2005 [1910]. “Das Erlebnis und die Dichtung: Lessing, Goethe, Novalis, Hölderlin.” In Gesammelte Schriften, vol. 26, edited by Gabriele Malsch. Göttingen: Vandenhoeck & Ruprecht.
• Dolven, Jeffrey. 2016. “Style.” In The Princeton Handbook of Poetic Terms, Third edition, edited by Roland Greene and Stephen Cushman, 346–348. Princeton and Oxford: Princeton University Press.
• Du Bellay, Joachim. 2007 [1549]. La Deffence et illustration de la langue françoyse. In La Deffence, et illustration de la langue françoyse & L’Olive, edited by Jean-Charles Monferran and Ernesta Caldarini, Geneva: Droz.
• Empson, William. 1947 [1930]. Seven Types of Ambiguity. London: Chatto and Windus.
• Fish, Stanley. 1980. Is There a Text in This Class? The Authority of Interpretative Communities. Cambridge: Harvard University Press.
• Fontanier, Pierre. 1977. Les figures du discours [1821/1827]. Introduction par Gérard Genette. Paris: Flammarion.
• Friedrich, Hugo. 1956. Die Struktur der modernen Lyrik: Von Baudelaire bis zur Gegenwart. Hamburg: Rowohlt.
• Fumaroli, Marc. 1980. L’Âge de l’éloquence: Rhétorique et “res literaria” de la Renaissance au seuil de l'époque classique. Geneva: Droz.
• Fénelon, François de. 1797. “Lettre écrite à l’Académie française, sur l’éloquence, la poésie, l’histoire, etc. [1714].” In Œuvres choisies de Fénelon, vol. 5, 209–364, Paris.
• Genette, Gérard. 1970. “La rhétorique restreinte.” Communications 16: 158–171.
• Genette, Gérard. 1971. “Langage poétique, poétique du langage”. In Essays in Semiotics/Essais de sémiotique, edited by Julia Kristeva, Josette Rey-Debove and Donna Jean Umiker, 423–446. The Hague and Paris: Mouton.
• Genette, Gérard. 1976. Mimologiques: Voyage en Cratylie. Paris: Seuil.
• Gracián, Baltasar. 1969. Agudeza y arte de ingenio, edited by Evaristo Correa Calderón. 2 vols. Madrid: Castalia.
• Grosser, Hermann. 1992. La sottigliezza del disputare. Teorie degli stili e teorie dei generi in età rinascimentale e nel Tasso. Firenze: La Nuova Italia.
• Guarini, Alessandro. 1611. Varie compositioni Raccolte in diverse materie del Signor Alessandro Guarini. Ferrara: per Vittorio Baldini, Stampator Camerale.
• Guasti, Cesare, ed. 1875. Le prose diverse di Torquato Tasso. 2 vols. Firenze: Le Monnier.
• Gumbrecht, Hans Ulrich. 1986. “Schwindende Stabilität der Wirklichkeit. Eine Geschichte des Stilbegriffs.” In Stil: Geschichte und Funktionen eines kulturwissenschaftlichen Diskurselements, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, 726–788. Frankfurt: Suhrkamp.
• Gumbrecht, Hans Ulrich. 2003 “Stil.” In Reallexikon der deutschen Literaturwissenschaft, new edition, vol. 3, edited by Klaus Weimar, Harald Fricke and Jan-Dirk Müller, 509–513. Berlin: de Gruyter.
• Génetiot, Alain. 2015. “La Poésie (XVIIe–XVIIIe siècle).” In Histoire de la France littéraire, vol. 2: Classicisme XVIIe–XVIIIe siècle, 4th edition, edited by Jean-Charles Darmon and Michel Delon, 587–628. Paris: PUF.
• Hartley, Daniel. 2020. “Style.” In Oxford Research Encyclopedia of Literature. https://doi.org/10.1093/acrefore/9780190201098.013.1163. Accessed on 26 July 2023.
• Hegel, Georg Wilhelm Friedrich. 1999. Vorlesungen über die Ästhetik III. In Werke [20 volumes]. New edition on the basis of Werke from 1832–1845, edited by Eva Moldenhauer and Karl Markus Michel. Frankfurt: Suhrkamp.
• Hempfer, Klaus W. 2003. “Schreibweise2.” In Reallexikon der deutschen Literaturwissenschaft, new edition, vol. 3, edited by Klaus Weimar, Harald Fricke and Jan-Dirk Müller, 391–393. Berlin: de Gruyter.
• Hulme, T. E. 1987 [1924]. Speculations: Essays on Humanism and the Philosophy of Art, edited by Herbert Read. London and New York: Routledge and Kegan Paul.
• Huss, Bernhard. 2020. “Antonio Sebastiano Minturno between Poetry and Poetics: The Rime and the Arte Poetica.” In Italian Studies 75, no. 3: 257–275. https://doi.org/10.1080/00751634.2020.1769942. Accessed 10 July 2024.
• Italia, Paola, and Giulia Raboni. 2010. Che cos’è la filologia d’autore. Roma: Carocci.
• Jakobson, Roman. 1960. “Closing Statement. Linguistics and Poetics.” In Style in Language, edited by Thomas A. Sebeok, 350–377. Cambridge, Mass.: Wiley & M.I.T.-Press.
• Jakobson, Roman. 1981. “Poetry of grammar and grammar of poetry (1968)” In Selected Writings, Vol. III, 87–97. The Hague: Mouton Publishers.
• James, David, ed. 2020. Modernism and Close Reading. Oxford: Oxford University Press.
• Kayser, Wolfgang. 1992 [1948]. Das sprachliche Kunstwerk: Eine Einführung in die Literaturwissenschaft. 20th edition. Tübingen and Basel: Francke.
• Kemper, Hans-Georg. 1987. Deutsche Lyrik der frühen Neuzeit. Vol. 1 and vol. 2. Tübingen: Niemeyer.
• Kiesel, Helmuth. 2004. Die Geschichte der literarischen Moderne: Sprache, Ästhetik, Dichtung im zwanzigsten Jahrhundert. München: Beck.
• Korte, Hermann. 2004a. Deutschsprachige Lyrik seit 1945. 2nd edition. Stuttgart: Metzler.
• Korte, Hermann. 2004b. Zurückgekehrt in den Raum der Gedichte: Deutschsprachige Lyrik der 1990er: Mit einer Auswahlbiographie. Münster. LIT.
• Krummacher, Hans-Henrik. 2013. Lyra: Studien zur Theorie und Geschichte der Lyrik vom 16. bis zum 19. Jahrhundert. Berlin and Boston: de Gruyter.
• Lachmann, Renate. 1970. “Die ‘Verfremdung’ und das ‘Neue Sehen’ bei Viktor Šklovskij.” Poetica 3: 226–249.
• Larsen, Peter Stein. 2021. “From Book Poetry to Digital Poetry.” Internationale Zeitschrift für Kulturkomparatistik 2: Contemporary Lyric Poetry in Transitions between Genres and Media, edited by Ralph Müller and Henrieke Stahl: 227–247.
• Lausberg, Heinrich. 1990a. Handbuch der literarischen Rhetorik: Eine Grundlegung der Literaturwissenschaft. 3rd edition. Stuttgart: Franz Steiner Verlag.
• Lausberg, Heinrich. 1990b. Elemente der literarischen Rhetorik: Eine Einführung für Studierende der klassischen, romanischen, englischen und deutschen Philologie. 10th edition. München: Hueber.
• Leavis, Frank R. 1936. Revaluation: Tradition and Development in English Poetry. London: Chatto & Windus.
• Leech, Geoffrey N. 1991. A Linguistic Guide to English Poetry. London: Longman.
• Lentricchia, Frank and Andrew DuBois, eds. 2002. Close Reading: The Reader. Durham and London: Duke University Press.
• Levine, Caroline. 2015. Forms: Whole, Rhythm, Hierarchy, Network. Princeton: Princeton University Press.
• Mallarmé, Stéphane. 2003. “Crise de Vers.” In Œuvres complètes, vol. 2, edited by Betrand Marchal. Bibliothèque de la Pléiade, 239–252. Paris: Gallimard.
• Mann, Jenny C. 2016. “Scheme.” In The Princeton Handbook of Poetic Terms, edited by Roland Greene and Stephen Cushman, 319–320. Princeton and Oxford: Princeton University Press.
• Martus, Steffen, Stefan Scherer, and Claudia Stockinger, eds. 2005. Lyrik im 19. Jahrhundert. Gattungspoetik als Reflexionsmedium der Kultur. Vol. 11. Frankfurt: Lang.
• Mathieu-Castellani, Gisèle. 1984. “Les modes du discours lyrique au XVIe siècle”. In La Notion de Genre à la Renaissance, edited by Guy Demerson, 129–148. Geneva: Slatkine.
• Maulpoix, Jean-Michel. 2000. Du lyrisme. Paris: Corti.
• Mazzoni, Guido. 2005. Sulla poesia moderna. Bologna: Mulino.
• Mazzoni, Guido. 2022. On Modern Poetry. Translated by Zakiya Hanafi. Cambridge, Massachusetts and London: The Belknap press of Harvard University Press.
• Mengaldo, Pier Vincenzo. 2001. Prima lezione di stilistica. Bari and Roma: Laterza.
• Mengaldo, Pier Vincenzo. 2018. Com’è la poesia. Roma: Carocci.
• Minturno, Antonio. 1559. De poeta, ad Hectorem Pignatellum Vibonensium, libri sex. Venedig: Franciscus Rampazetus. Accessed September 3, 2024.
• Minturno, Antonio. 1564. L’Arte Poetica. [Venezia]: Valvassori.
• Molinié, Georges. 1996. “Style et littérarité.” Littératures classiques 28: 69–74.
• Molinié, Georges. 2008. La stylistique. Paris: PUF.
• Mortara Garavelli, Bice. 2010. Il parlar figurato: Manualetto di figure retoriche. Bari and Roma: Laterza.
• Motta, Uberto. 2020. Lingua mortal non dice: Guida alla lettura del testo poetico. Roma: Carocci.
• Müller, Ralph. 2023. “Rhetorik und Ästhetik der Print- und Plakatwerbung.” In Handbuch Werberhetorik, edited by Nina Janich, Steffen Pappert and Kersten Sven Roth, 285–304. Berlin: de Gruyter.
• Müller-Zettelmann, Eva. 2000. Lyrik und Metalyrik. Theorie einer Gattung und ihrer Selbstbespiegelung anhand von Beispielen aus der englisch- und deutschsprachigen Dichtkunst. Heidelberg: Winter.
• Opitz, Martin. 1977 [1624]. Buch von der Deutschen Poeterey, edited by Cornelius Sommer. Stuttgart: Reclam.
• Parks, Walter Ward and John Arthos. 2016. “Periphrasis.” The Princeton Handbook of Poetic Terms, edited by Roland Greene and Stephen Cushman, 1020–1021. Princeton and Oxford: Princeton University Press.
• Paxson, James J. 1994. The Poetics of Personification. Cambridge: Cambridge University Press.
• Peletier, Jacques. 1555. L'art poëtique. Lyon: Ian de Tournes, Guil. Gazeau.
• Penzenstadler, Franz. 2016. “Frühe Neuzeit.” In Handbuch Lyrik: Theorie, Analyse, Geschichte, edited by Dieter Lamping, 380–410. Stuttgart: Metzler.
• Petteruti Pellegrino, Pietro. 2013. La negligenza dei poeti: Indagini sull’esegesi della lirica dei moderni nel Cinquecento. Roma: Bulzoni.
• Pound, Ezra. 1934. Make It New: Essays. London: Faber & Faber.
• Pound, Ezra. 2009a. “A Retrospect.” The Poetry Foundation. https://www.poetryfoundation.org/articles/69409/a-retrospect-and-a-few-donts. Accessed on 25 April 2023.
• Pound, Ezra. 2009b. “A Few Don’ts.” The Poetry Foundation. https://www.poetryfoundation.org/articles/69409/a-retrospect-and-a-few-donts. Accessed on 25 April 2023.
• Racine, Louis. 1808: “Réflexions sur la poésie [1747].” In Œuvres de Louis Racine, vol. 2, 136–525, Paris: Le Normant.
• Ramazani, Jahan. 2014. Poetry and Its Others. News, Prayer, Song, and the Dialogue of Genres. Chicago: University of Chicago Press.
• Richards, I. A. 1924. Principles of Literary Criticism. New York: Harcourt, Brace and Company.
• Richards, I. A. 1929. Practical Criticism: A Study of Literary Judgment. New York: Harcourt, Brace & World.
• Romano, Claude. 2019. Être soi-même: Une autre histoire de la philosophie. Paris: Gallimard.
• Rosa, Hartmut. 2010. Alienation and Acceleration. Towards a Critical Theory of Late-Modern Temporality. Copenhagen: NSU Press.
• Ryan, Lawrence J. 1960. Hölderlins Lehre vom Wechsel der Töne. Stuttgart: Kohlhammer.
• Segebrecht, Wulf. 1997. “Gelegenheitsgedicht.” In Reallexikon der deutschen Literaturwissenschaft, edited by Harald Fricke, Klaus Grubmüller, Jan-Dirk Müller, and Klaus Weimar, vol. 1, 688–691. Berlin: de Gruyter.
• Segre, Cesare. 1999 [1985]. Avviamento all’analisi del testo letterario. Torino: Einaudi.
• Shklovsky, Victor. 1988. “Art as Technique.” In Modern Criticism and Theory: A Reader, edited by David Lodge, 16–30. London and New York: Longman.
• Sidney, Sir Philip. 2002. An Apology for Poetry Or the Defence of Poesy, ed. by Geoffrey Shepherd, revised and expanded by R.W. Maslen. Manchester: Manchester University Press.
• Spitzer, Leo. 1928. “Wortkunst und Sprachwissenschaft.” In Stilstudien. Vol. 2: Stilsprachen, 498–536. München: Max Hueber.
• Spivak, Gayatri Chakravorty. 2003. Death of a Discipline. New York: Columbia University Press.
• Staiger, Emil. 1963 [1946]. Grundbegriffe der Poetik. 6th edition. Zürich: Atlantis.
• Stempel, Wolf-Dieter, and Inge Paulmann, eds. 1972. Texte der russischen Formalisten. Vol. 2: Texte zur Theorie des Verses und der poetischen Sprache. München: Fink.
• Stockwell, Peter. 2020. Cognitive Poetics. A New Introduction. London and New York: Routledge.
• Tesauro, Emanuele. 2024. Il Cannocchiale aristotelico, edited by Maicol Cutrì. Milan-Parma: Guanda-Fondazione Bembo.
• Tiffany, Daniel. 2020. “Lyric Poetry and Poetics.” In Oxford Research Encyclopedia of Literature. https://doi.org/10.1093/acrefore/9780190201098.013.1111. Accessed on 25 July 2023.
• Tomasi, Franco. 2012. Studi sulla lirica rinascimentale (1540–1570). Roma: Antenore.
• Trimpi, Wesley, and F. L. Blumberg. 2012. “decorum”. In The Princeton Encyclopedia of Poetry and Poetics, 4th edition, edited by Roland Greene et al., 341–342. Princeton and Oxford: Princeton University Press.
• Tsur, Reuven. 1992. Towards a Theory of Cognitive Poetics. Amsterdam: Elsevier.
• Verdonk, Peter. 2002. Stylistics. Oxford: Oxford University Press.
• Vischer, Friedrich Theodor. 1857. Aesthetik oder Wissenschaft des Schönen: Dritter Theil: Die Kunstlehre. Zweiter Abschnitt. Die Künste. Fünftes Heft: Die Dichtkunst. Reutlingen: Mäcken.
• Vuilleumier, Florence. 1999. “Les conceptismes.” In Histoire de la rhétorique dans l’Europe moderne 1450–1950, edited by Marc Fumaroli, 517–537. Paris: Presses Universitaires de France.
• Weinberg, Bernard, ed. 1972. Trattati di poetica e retorica del Cinquecento. Vol. III. Bari: Laterza.
• Woolf, Virginia. 2019. Orlando. London: Penguin.
• Wordsworth, William. 1992. Lyrical Ballads [Wordsworth and Coleridge], edited by Michael Mason. Harlow: Longman.
• Wünsch, Marianne. 1975. Der Strukturwandel in der Lyrik Goethes: Die systemimmanente Relation der Kategorien ‘Literatur’ und ‘Realität’: Probleme und Lösungen. Stuttgart: Kohlhammer.
• Zymner, Rüdiger. 2017. “Lyric and Its ‘Worlds’.” Journal of Literary Theory. Special Issue “Theories of Lyric” 11, no. 1: 149–160.

Further bibliography

• Aquien, Michèle and Georges Molinié. 1996. Dictionnaire de rhétorique et de poétique. Paris: Le Livre de Poche.
• Benn, Gottfried. 2003 [1951]. “Der Verleger und sein Autor. Rundfunkgespräch mit Max Niedermayer und Karl Schwedhelm.” In Gottfried Benn. Sämtliche Werke. Stuttgarter Ausgabe, in association with Ilse Benn, edited by Gerhard Schuster and Holger Hof, vol. 7,1, 260–267. Stuttgart: Klett-Cotta.
• Brandt, Rüdiger. 1986. Kleine Einführung in die mittelalterliche Poetik und Rhetorik: Mit Beispielen aus der deutschen Literatur des 11. bis 16. Jahrhunderts. Göppingen: Kümmerle.
• Burke, Michael, ed. 2014. The Routledge Handbook of Stylistics. Second edition. Abingdon and New York: Routledge.
• Campe, Rüdiger. 1990. Affekt und Ausdruck. Zur Umwandlung literarischer Rede im 17. und 18. Jahrhundert. Tübingen: Niemeyer.
• Charpentreau, Jacques. 2006. Dictionnaire de la poésie française. Paris: Fayard.
• Clark, Alexander Frederick Bruce. 1937. “Alexander Sergeyevitch Pushkin”, University of Toronto Quarterly 6 (2): 174–188.
• Desson, Gérard. 2016. Introduction à l’analyse du poème. Paris: Armand Colin.
• Gardes-Tamine, Joëlle. 2011. Pour une Nouvelle Théorie des figures. Paris: PUF.
• Genette, Gérard. 1966. Figures I. Paris: Seuil.
• Hutnikiewicz, Artur. 1988. Od czystej formy do literatury faktu. Główne teorie i programy literackie XX wieku [From Pure Form to Literature of the Factual. Main literary theories and programmes of the 20th century]. 5th edition. Warszawa : Wiedza Powszechna.
• Jakobson. Roman. 1921. Novejšaja russkaja poėzija : nabrosok pervyj [The Newest Russian Poetry. Sketch One]. Praha: Tipografija Politika. [German translation in Stempel, Wolf-Dieter, and Inge Paulmann, 1972. „Die neueste russische Poesie. Erster Entwurf. Viktor Chlebnikov“, 19-135.]
• Jenny, Laurent. 1990. La Parole singulière. Paris: Belin.
• Kwiatkowski, Jerzy. 2000. Dwudziestolecie międzywojenne [The Interwar Period]. Warszawa: PWN.
• Marx, William. 2002. Naissance de la critique moderne: La littérature selon Eliot et Valéry: 1889–1945. Arras: Artois Presses Université.
• Morier, Henri. 1998. Dictionnaire de poétique et de rhétorique. 5th edition. Paris: PUF.
• Ricœur, Paul. 1975. La métaphore vive. Paris: Editions du Seuil.
• Vaillant, Alain. 2016. La Poésie. Introduction à l’analyse des textes poétiques. Paris: Armand Colin.
• Vickers, Brian. 1988. In defence of rhetoric. Oxford: Clarendon.
• Vorobʹev, Igorʹ Stanislavovič. 2008. Russkij avangard : manifesty, deklaracii, programmnye statʹi ; (1908 - 1917) ; k 100-letiju russkogo avangarda [The Russian avant-garde : manifestos, declarations, programme texts (1908 - 1917) ; to the 100th anniversary of the Russian avant-garde ]. Sankt-Peterburg: Izdat. Kompozitor.

Primary sources

• Aragon, Louis [François la Colère]. 1943. Le musée Grévin. Paris: [n.p.].
• Bunyan, John. 1678. The Pilgrim's Progress from this World, to that which is to Come. Delivered under the Similitude of a Dream, wherein is Discovered, the Manner of his Setting out, his Dangerous Journey, and Safe Arrival at the Desired Countrey London: Nath. Ponder.
• Celan, Paul. 2000. Fadensonnen. Vorstufen, Textgenese, Endfassung (Tübinger Ausgabe), edited by Jürgen Wertheimer. Frankfurt: Suhrkamp.
• Celan, Paul. 2004. Mohn und Gedächtnis. Vorstufen, Textgenese, Endfassung (Tübinger Ausgabe), edited by Jürgen Wertheimer. Frankfurt: Suhrkamp.
• Dickinson, Emily. 2000. The Poems of Emily Dickinson. Reading Edition, edited by R. W. Franklin. Cambridge (MA): Belknap Press of Harvard Univ. Press.
• Donne, John. 1971. The Complete English Poems, edited by A. J. Smith. London: Allen Lane.
• Fergusson, Robert. 1785. Poems on Various Subjects. 3rd ed. Edinburgh: Ruddiman.
• Goethe, Johann Wolfgang. 1987. Gedichte 1756–1799. In Sämtliche Werke, edited by Karl Eibl. Frankfurt: Deutscher Klassiker Verlag.
• Heine, Heinrich. 1975. Buch der Lieder. Text. In Historisch-kritische Gesamtausgabe. I.1, edited by Pierre Grapin. Hamburg: Hoffmann und Campe.
• Lamartine, Alphonse de. 1981. Méditations poétiques. Nouvelles Méditations poétiques suivies de Poésies diverses, edited by Marius-François Guyard. Paris: Gallimard.
• Lasker-Schüler, Else. 1996. Der siebente Tag [1905]. In Gedichte. Werke und Briefe. Kritische Ausgabe. 1.1, edited by Karl Jürgen Skrodzki and Norbert Oellers. Frankfurt: Jüdischer Verlag.
• Lord Byron. 1980. The Complete Poetical Works, edited by Jerome J. McGann. Oxford: Clarendon.
• Petrarch. 1996. The Canzoniere or Rerum vulagium fragmenta. Translated into Verse with Notes and Commentaries, edited by Mark Musa and Barbara Manfredi. Bloomington: Indiana University Press.
• Plath, Sylvia. 1971. Crossing the Water. Transitional Poems, edited by Ted Hughes. New York: Harper & Row.
• Pope, Alexander. 1954. The Rape of the Lock and Other Poems, edited by Geoffrey Tillotson. London: Methuen.
• Racine, Jean. 1977. Andromaque, edited by R.C. Knight and H.T. Barnwell. Genève: Droz.
• Rilke, Rainer Maria. 1996. “Buch der Bilder.” In Werke. Kommentierte Ausgabe in vier Bänden. Vol. 1: Gedichte. 1895 bis 1910, edited by Manfred Engel and Ulrich Fülleborn. Frankfurt: Insel.
• Schiller, Friedrich. 2008. Gedichte. Werke und Briefe in zwölf Bänden: vol. 1, edited by Georg Kurscheidt. Frankfurt: Klassiker Verlag.
• Shakespeare, William. 1997. The Norton Shakespeare. Based on the Oxford Edition, edited by Stephen Greenblatt, Walter Cohen, Jean E. Howard and Katherine Eisaman Maus. New York, London: Norton.
• Shakur, Tupac, Johnny Jackson, and James Pennington. 1996. “All Eyez on Me. ” On All Eyez on Me. Los Angeles: Death Row.
• Woolf, Virginia. 1943. The Waves. New Edition. London: Hogarth.