- Found in paragraph 1: (...) itten text or the reprinting of a poem in a d (...)
- Found in paragraph 2: (...) The Language of New Medium in 2001 has been an (...)
- Found in paragraph 3: (...) “Medium” and “materiality” (...)
- Found in paragraph 6: (...) es on the notion of medium in these other fiel (...)
- Found in paragraph 7: (...) arrow definition of medium mainly refers to th (...)
- Found in paragraph 8: (...) Medium, in a much broader (...)
- Found in paragraph 9: (...) g of the concept of medium – from channel to c (...)
- Found in paragraph 10: (...) ific way of using a medium to another do not o (...)
- Found in paragraph 11: (...) fic features of the medium and the new types o (...)
- Found in paragraph 12: (...) evolution from one medium to another. At firs (...)
- Found in paragraph 13: (...) 67), whose ideas on medium and message are the (...)
- Found in paragraph 14: (...) e importance of the medium and thus the materi (...)
- Found in paragraph 15: (...) ly book entitled No Medium (Dworkin 2015), whi (...)
- Found in paragraph 16: (...) poetry as a social medium, that is on the way (...)
- Found in paragraph 19: (...) and the traditional medium of print on the oth (...)
- Found in bibliography / webliography
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i General
ii Context, Social Groups and Environmental Issues
ii.1Producer of Lyric
Müller, Ralph / Sabban, Adela Sophia - 2025
- Found in paragraph 2: (...) imited to the print medium (e.g. “film d’auteu (...)
- Found in paragraph 10: (...) work? Thanks to the printing press, books wou (...)
- Found in paragraph 25: (...) hus, the decline of normative poetics primar (...)
- Found in paragraph 35: (...) nger considered the norm. Lyric has, like fe (...)
- Found in paragraph 36: (...) ng works with large print runs, such as Emanu (...)
- Found in bibliography / webliography
- Found in paragraph 8: (...) on left a lasting imprint on modern western p (...)
- Found in paragraph 15: (...) and processes? An enormous challenge to poe (...)
iii Distribution and Communication
iii.5Canons of Lyric Poetry
Rippl, Gabriele / Winko, Simone - 2025
- Found in paragraph 2: (...) are based both on (normative) textual/aesth (...)
- Found in paragraph 4: (...) earliest surviving—printed collection of sho (...)
- Found in paragraph 6: (...) the role of social norms, and their context (...)
- Found in paragraph 7: (...) and the book trade; print and digital media; (...)
- Found in paragraph 11: (...) the most important medium for communicating l (...)
- Found in paragraph 12: (...) ious editions and reprints), Der Neue Conrady (...)
- Found in paragraph 15: (...) itten manuscript to printed book). Today, per (...)
- Found in bibliography / webliography
iii.6Peritext and Paratext in Lyric Poetry
Klimek, Sonja - 2025
- Found in paragraph 5: (...) ’s preface “An mein werthes Teutsches Vatter (...)
- Found in paragraph 8: (...) dio and diversified print markets offered eve (...)
- Found in bibliography / webliography
iv Textual Forms, Modes, and Subgenres
- Found in paragraph 7: (...) on creates metrical norms (e.g., epic and di (...)
- Found in paragraph 9: (...) ed to the spread of print culture (see Brogan (...)
- Found in paragraph 13: (...) . From the earliest printed books, the typogr (...)
- Found in paragraph 29: (...) to the isosyllabic norm and often contains (...)
- Found in paragraph 33: (...) terature, owes its enormous medieval success (...)
- Found in paragraph 47: (...) s determined by the normal pronunciation of (...)
- Found in paragraph 48: (...) line endings, which normally help determine (...)
- Found in paragraph 53: (...) etry from prose. In printed prose, line endin (...)
- Found in paragraph 56: (...) lable count that is normally combined with i (...)
- Found in paragraph 63: (...) étique, 1874, first printed in 1882), which m (...)
- Found in paragraph 2: (...) quum), middle (lat. medium), and low (lat. hum (...)
- Found in paragraph 26: (...) that interrupts the normal syntactical flow (...)
- Found in paragraph 44: (...) break away from the normative poetic rules, (...)
- Found in paragraph 48: (...) oetry, in which an enormously successful and (...)
- Found in paragraph 61: (...) at the latest, such normative ideals of lite (...)
- Found in paragraph 77: (...) , condensation, and norm-breaking. His poetr (...)
- Found in paragraph 88: (...) cation and language norms with his ‘beyond m (...)
- Found in paragraph 93: (...) things out of their normal context” (Shklovs (...)
- Found in bibliography / webliography
- Found in paragraph 2: (...) he consolidation of print book culture in Mod (...)
- Found in paragraph 10: (...) tten Character as a Medium for Poetry (2008) – (...)
- Found in paragraph 17: (...) , both in its first printed version (1986) an (...)
- Found in paragraph 18: (...) re either manual or printed marks are emphasi (...)
- Found in paragraph 26: (...) g and from there to print culture (Ong 1982; (...)
- Found in bibliography / webliography
- Found in paragraph 2: (...) ally, the “natural” medium in which we live in (...)
- Found in paragraph 6: (...) s in writing tools, print media, and types of (...)
- Found in paragraph 8: (...) as to say about the medium it is created in / (...)
- Found in paragraph 13: (...) es designed for the printed text, such as col (...)
- Found in paragraph 14: (...) both in digital and printed formats (or remed (...)
- Found in paragraph 25: (...) s (1994), edited by Norman Bryson, Michael A (...)
- Found in paragraph 28: (...) on conventional or printed poetry. In this s (...)
- Found in paragraph 32: (...) ades prior, such as Norman McLaren’s films. (...)
- Found in paragraph 33: (...) Paul Muldoon & Norman McBeath’s Plan B (...)
- Found in paragraph 37: (...) ated in traditional print form, other work is (...)
- Found in bibliography / webliography