- Found in paragraph 4: (...) and poetic field itself. (...)
- Found in paragraph 5: (...) tion outside of the book (for an overview, s (...)
- Found in paragraph 7: (...) ich (2011), the handbook by Rippl 2015 and t (...)
- Found in paragraph 9: (...) as the binding of a book, for instance, but (...)
- Found in paragraph 11: (...) the hegemony of the book and the disembodime (...)
- Found in paragraph 12: (...) rmé’s dream of the “book” (actually more a m (...)
- Found in paragraph 15: (...) nce a provocatively book entitled No Medium (...)
- Found in paragraph 16: (...) ivate sphere of the book to the public spher (...)
- Found in paragraph 18: (...) inition of poetry itself. There no longer ex (...)
- Found in paragraph 19: (...) bsequent reprint in book format as the natur (...)
- Found in bibliography / webliography
Search
12 articles with
algorithmselfgeniusimaginationsubjectivitybook
i General
i.6Address
Barnabé, Christophe - 2026
- Found in paragraph 2: (...) – persists into the self-aware age of modern (...)
- Found in paragraph 4: (...) ialogue – a mode of self-address. Finally, l (...)
- Found in paragraph 6: (...) er; or as a form of self-address. The latter (...)
- Found in paragraph 9: (...) titutive of lyric itself. This point, howeve (...)
- Found in paragraph 11: (...) act of addressing itself. Apollinaire unders (...)
- Found in paragraph 12: (...) he act of calling itself. Such gestures help (...)
- Found in paragraph 15: (...) ry act of address itself. To call Shelley’s (...)
- Found in paragraph 16: (...) ake the poem appear self-conscious or inflat (...)
- Found in paragraph 17: (...) e within language itself, and lies in the po (...)
- Found in paragraph 23: (...) rsational address itself is a longstanding a (...)
- Found in paragraph 24: (...) , 194). Address and self-reflection converge (...)
- Found in paragraph 25: (...) he act of address itself becomes part of wha (...)
- Found in paragraph 27: (...) t, drawing toward itself meanings and emotio (...)
- Found in paragraph 28: (...) ty rather than as a self-celebratory act ste (...)
- Found in paragraph 33: (...) k as far as lyric itself. In Sappho’s invoca (...)
- Found in paragraph 35: (...) n leads, in Riley’s book, to a shift in the (...)
- Found in paragraph 37: (...) sentially solitary, self-enclosed, and indif (...)
- Found in paragraph 38: (...) as closed in upon itself, presenting instead (...)
- Found in paragraph 39: (...) yric as transparent self-expression were sha (...)
- Found in paragraph 41: (...) ostrophic poem is itself the event, producin (...)
- Found in paragraph 45: (...) n anthologized in a book compiled by Camille (...)
- Found in paragraph 48: (...) paradox: illness itself becomes the source (...)
- Found in paragraph 52: (...) etically from phone books, beginning with Fr (...)
- Found in paragraph 54: (...) into an event in itself. Testimonial speech (...)
- Found in paragraph 57: (...) lack of proof. The book thus combines the i (...)
- Found in paragraph 58: (...) crisis of address itself: each question reac (...)
- Found in bibliography / webliography
ii Context, Social Groups and Environmental Issues
ii.1Producer of Lyric
Müller, Ralph / Sabban, Adela Sophia - 2025
- Found in paragraph 3: (...) stead considered herself a Lyriker (lyric po (...)
- Found in paragraph 4: (...) elationship between subjectivity and authorship are (...)
- Found in paragraph 8: (...) ship can manifest itself in various forms in (...)
- Found in paragraph 10: (...) the printing press, books would become commo (...)
- Found in paragraph 14: (...) parable with modern subjectivity. Both Sappho and Ar (...)
- Found in paragraph 17: (...) died by Orpheus, himself a son of the muse C (...)
- Found in paragraph 20: (...) rent ways of making books is often cited in (...)
- Found in paragraph 23: (...) ibri septem [“Seven books of Poetics”], I, 1 (...)
- Found in paragraph 25: (...) onomously “creating self” is only partially (...)
- Found in paragraph 26: (...) ock, who presents a self-determined type of (...)
- Found in paragraph 27: (...) d to the concept of genius (from the Latin gen (...)
- Found in paragraph 28: (...) phy, the individual genius-poet transforms int (...)
- Found in paragraph 29: (...) does he address himself? and what language (...)
- Found in paragraph 30: (...) ic upheavals in the book market brought last (...)
- Found in paragraph 31: (...) artistic-religious self-understanding can b (...)
- Found in paragraph 32: (...) ce of the artwork itself, created as “art fo (...)
- Found in paragraph 33: (...) e”), the “speaking” self had been confused w (...)
- Found in paragraph 35: (...) ativizing of poetic subjectivity might also account (...)
- Found in paragraph 36: (...) from the mainstream book market (see Mazzoni (...)
- Found in paragraph 46: (...) hip between lyrical subjectivity and authorship has (...)
- Found in paragraph 48: (...) Algorithmic delimitations of (...)
- Found in bibliography / webliography
- Found in paragraph 2: (...) being a vehicle of subjectivity and self-discovery, (...)
- Found in paragraph 3: (...) in turn shapes his imagination : “Si muero, / deja (...)
- Found in paragraph 4: (...) w, for example, for self-reflexive nature co (...)
- Found in paragraph 5: (...) oirs. / There’ll be books; it will linger on (...)
- Found in paragraph 7: (...) arns, like Fried himself, of the intellectua (...)
- Found in paragraph 8: (...) sire for individual self-realization, dramat (...)
- Found in paragraph 11: (...) lenge to the poetic imagination (see Collot). Ameri (...)
- Found in paragraph 12: (...) logy” (Bate 1991) itself? A movement of reje (...)
- Found in paragraph 13: (...) s engage the poetic imagination. (...)
- Found in paragraph 16: (...) lyricism, fiercely self-critical, eschews i (...)
- Found in paragraph 19: (...) rican Poetry of the Self-Conscious Anthropoc (...)
- Found in paragraph 20: (...) the Anthropocene itself – after all, the mo (...)
- Found in paragraph 21: (...) tion, attention and imagination”; this definition c (...)
- Found in bibliography / webliography
iii Distribution and Communication
iii.1Oral and Written Lyric Poetry
Müller, Adalberto - 2025
- Found in paragraph 10: (...) ciousness unfolds itself. By contrast, writi (...)
- Found in paragraph 14: (...) ority to language itself: “the voice is a wo (...)
- Found in paragraph 15: (...) he Supreme Being himself – Maa Ngala, creato (...)
- Found in paragraph 16: (...) way Islam adapted itself to this tradition, (...)
- Found in paragraph 18: (...) ographer reveals himself in relation to what (...)
- Found in paragraph 20: (...) de has to create himself by unfolding (omboj (...)
- Found in paragraph 24: (...) abetic writing (and books) to be the aim of (...)
- Found in paragraph 25: (...) n cultures focus on subjectivity, personhood and dia (...)
- Found in paragraph 27: (...) g in which animals’ subjectivity is expressed in ter (...)
- Found in bibliography / webliography
iii.5Canons of Lyric Poetry
Rippl, Gabriele / Winko, Simone - 2025
- Found in paragraph 1: (...) t edition 1903; the book has been published (...)
- Found in paragraph 7: (...) ng industry and the book trade; print and di (...)
- Found in paragraph 8: (...) per availability in book form" (Lethbridge 2 (...)
- Found in paragraph 13: (...) e Trends and Google Books Ngram also enable (...)
- Found in paragraph 14: (...) century with their algorithms and AI-marketing s (...)
- Found in paragraph 15: (...) nuscript to printed book). Today, performati (...)
- Found in bibliography / webliography
iii.6Peritext and Paratext in Lyric Poetry
Klimek, Sonja - 2025
- Found in paragraph 1: (...) rard Genette in his book Palimpsestes. La li (...)
- Found in paragraph 2: (...) e” of a text. He himself made his definition (...)
- Found in paragraph 3: (...) to lyric poetry in book form or in periodic (...)
- Found in paragraph 4: (...) ng the peritexts of book collections of lyri (...)
- Found in paragraph 5: (...) ecutively numbered “books”, within which the (...)
- Found in paragraph 6: (...) also find authorial self-annotations to lyri (...)
- Found in paragraph 8: (...) with publication in book form.” Experimental (...)
- Found in paragraph 11: (...) itext”. Traditional book readings may be fil (...)
iv Textual Forms, Modes, and Subgenres
- Found in paragraph 1: (...) s not established itself internationally as (...)
- Found in paragraph 13: (...) he earliest printed books, the typographical (...)
- Found in paragraph 43: (...) ntury. The sonnet itself, together with othe (...)
- Found in paragraph 47: (...) pon it. Rhythm by itself says as yet nothing (...)
- Found in paragraph 55: (...) iple to establish itself as the ruling metho (...)
- Found in paragraph 61: (...) rm (see the Penguin Book of the Sonnet, Phil (...)
- Found in paragraph 65: (...) d one that limits itself to describing these (...)
- Found in paragraph 2: (...) tial for individual self-expression. In fact (...)
- Found in paragraph 3: (...) towards language itself,” insofar as “lyric (...)
- Found in paragraph 42: (...) dity, rendering the self-evident functioning (...)
- Found in paragraph 44: (...) teristics of poetic subjectivity and originality of (...)
- Found in paragraph 45: (...) rity of ancient textbooks with vernacular st (...)
- Found in paragraph 49: (...) but of the poet himself (Mazzoni 2005, 63–6 (...)
- Found in paragraph 50: (...) he modern notion of subjectivity, and in particular (...)
- Found in paragraph 51: (...) lety and the Art of Genius, see Gracián 1969) (...)
- Found in paragraph 53: (...) , an individualised subjectivity that may or may not (...)
- Found in paragraph 54: (...) digm centred around subjectivity and originality tha (...)
- Found in paragraph 56: (...) f unfettered poetic imagination. The force of indiv (...)
- Found in paragraph 57: (...) rpreted in terms of subjectivity. Due to its opposit (...)
- Found in paragraph 59: (...) , poetry being in itself an “art of imitatio (...)
- Found in paragraph 60: (...) o arouse, aesthetic imagination” (Barfield 1952, 41 (...)
- Found in paragraph 61: (...) lebration of poetic genius, as well as a retur (...)
- Found in paragraph 65: (...) deutschen Poeterey (Book on German Poetry, 1 (...)
- Found in paragraph 67: (...) enthusiastic poetic imagination in a high style (se (...)
- Found in paragraph 68: (...) antik) the ideal of self-expression had repe (...)
- Found in paragraph 69: (...) subject expresses itself and its mood freely (...)
- Found in paragraph 70: (...) oetry was viewed as self-centred to the poin (...)
- Found in paragraph 71: (...) e 1960s distanced itself from hermetic tende (...)
- Found in paragraph 76: (...) ork distinguishes itself in all verse system (...)
- Found in paragraph 86: (...) , is simultaneously self-ironising or self-d (...)
- Found in paragraph 92: (...) Textbooks on the analysis of (...)
- Found in paragraph 93: (...) iktor Shklovsky, himself a writer, pleads in (...)
- Found in paragraph 98: (...) lone (as Genette himself admitted), although (...)
- Found in bibliography / webliography
- Found in paragraph 1: (...) erential relation itself is brought into que (...)
- Found in paragraph 3: (...) world or showing oneself? (...)
- Found in paragraph 4: (...) stion of showing oneself leads to a central (...)
- Found in paragraph 8: (...) explorations of the self? If the conceptions (...)
- Found in paragraph 9: (...) hich it refers is itself a poetic construct. (...)
- Found in paragraph 11: (...) al fact, but to the imagination of the poet. In his (...)
- Found in item 1: (...) ertain colouring of imagination, whereby ordinary t (...)
- Found in paragraph 13: (...) or these shadows of imagination that willing suspen (...)
- Found in paragraph 18: (...) not this I names itself in the first-person (...)
- Found in paragraph 21: (...) experience. It is a self effectively reduced (...)
- Found in paragraph 22: (...) hey would erase the subjectivity at play in producin (...)
- Found in paragraph 23: (...) urther plays on the self-referentiality of p (...)
- Found in bibliography / webliography
- Found in paragraph 2: (...) solidation of print book culture in Modernit (...)
- Found in paragraph 4: (...) Gaur states in her book A History of Writin (...)
- Found in paragraph 7: (...) tands metaphors and imagination as a valid means to (...)
- Found in paragraph 11: (...) ng visual images himself in his prose. (...)
- Found in paragraph 15: (...) rnism, although the book does not only conta (...)
- Found in paragraph 17: (...) shed in 1923 in his book Química del espírit (...)
- Found in paragraph 18: (...) veloped a series of books, letters, journals (...)
- Found in paragraph 19: (...) le, in parts of his book Zang Tumb Tumb (191 (...)
- Found in paragraph 20: (...) shed in 1947 in his book Introduction à une (...)
- Found in paragraph 21: (...) Operations (1963), self-published by La Mon (...)
- Found in paragraph 23: (...) opens up beyond the book. Catalan Joan Bross (...)
- Found in paragraph 24: (...) l poetry beyond the book. When graffiti uses (...)
- Found in paragraph 26: (...) udies. Although the book and its materiality (...)
- Found in paragraph 27: (...) odes” (95). In this book, among “mixed media (...)
- Found in paragraph 28: (...) ry), published as a book in 1965, which incl (...)
- Found in paragraph 29: (...) n this order in the book, due to the paralle (...)
- Found in paragraph 30: (...) verflowing from the book and its material, s (...)
- Found in paragraph 32: (...) resemble writing itself? We could say that (...)
- Found in bibliography / webliography
- Found in paragraph 1: (...) ecause our interior self-image is strongly d (...)
- Found in paragraph 5: (...) reading a poem in a book, but there is much (...)
- Found in paragraph 6: (...) odex to the printed book, lyric poetry has a (...)
- Found in paragraph 13: (...) orks studied in his book, he was forced to u (...)
- Found in paragraph 18: (...) d simulation with a book with eroded texts a (...)
- Found in paragraph 19: (...) thin dual system: e-books and the Web, or ju (...)
- Found in paragraph 23: (...) s, we can highlight books such as Il segno ( (...)
- Found in paragraph 25: (...) Another pioneering book in that direction w (...)
- Found in paragraph 33: (...) llected a series of books of photopoetry cre (...)
- Found in paragraph 36: (...) agram, Twitter, Facebook, Wattpad, Tumblr, a (...)
- Found in paragraph 39: (...) Foundation), who in books such as A Day at t (...)
- Found in paragraph 40: (...) mous, award-winning book Citizen), Ben Lerne (...)
- Found in bibliography / webliography