Search
i...
General
- Found in paragraph 2: (...) y in the form of apostrophe, the trope by which (...)
- Found in paragraph 5: (...) of the addressee hovers between several pos (...)
- Found in paragraph 9: (...) ), in his essay “Apostrophe,” shifted the empha (...)
- Found in paragraph 10: (...) t indirection or apostrophe as constitutive of (...)
- Found in paragraph 11: (...) Tower in direct apostrophe: “Bergère ô tour Ei (...)
- Found in paragraph 12: (...) demand that the universe hear the speaker. (...)
- Found in paragraph 14: (...) , apostrophe is a diversion of our words to (...)
- Found in paragraph 15: (...) rely a rhetorical diversion but the figure o (...)
- Found in paragraph 16: (...) th the farming of a verse / Make a vineyard (...)
- Found in paragraph 22: (...) raries – friends, lovers, rivals, relatives, (...)
- Found in paragraph 23: (...) ss – even though conversational address itse (...)
- Found in paragraph 24: (...) ker in immediate conversation with his lover (...)
- Found in paragraph 27: (...) A converse case occurs in poe (...)
- Found in item 2: (...) platz
qu’aprenda lo vers, s’el es bos
e puoi (...)
- Found in paragraph 32: (...) hilippe Jaccottet’s verse, where expressions (...)
- Found in paragraph 38: (...) er than treating apostrophe as mere convention (...)
- Found in paragraph 41: (...) ’s (1977) essay “Apostrophe” remains one of the (...)
- Found in paragraph 42: (...) ’s conception of apostrophe as the defining ope (...)
- Found in paragraph 44: (...) oses the term “prepostrophe” as distinct from “ (...)
- Found in paragraph 45: (...) tural world, this reversed angle – “ecocentr (...)
- Found in paragraph 46: (...) Romantic poetry, apostrophe to natural elements (...)
- Found in paragraph 48: (...) m opens with the apostrophe “Vous qui rendez la (...)
- Found in paragraph 49: (...) the Surrealists (Reverseau 2018; Nachtergae (...)
- Found in paragraph 50: (...) lacing divine or universal interlocutors wit (...)
- Found in paragraph 52: (...) he: the dream of universal address. In its m (...)
- Found in bibliography / webliography
ii...
Context, Social Groups and Environmental Issues
iii...
Distribution and Communication
iv...
Textual Forms, Modes, and Subgenres
- Found in paragraph 1: (...) might be entitled “versification” or “proso (...)
- Found in paragraph 3: (...) “metre”, since it covers phenomena beyond li (...)
- Found in paragraph 4: (...) he composition of a verse text, within which (...)
- Found in paragraph 5: (...) accentual-syllabic verse in English; for fu (...)
- Found in paragraph 6: (...) ” in English “blank verse” refers to its bei (...)
- Found in paragraph 8: (...) structure but with verses of different leng (...)
- Found in paragraph 9: (...) that differentiates verse and poetry from pr (...)
- Found in paragraph 10: (...) is regular in some verse types but rare in (...)
- Found in paragraph 11: (...) coincides with the verse or with the couple (...)
- Found in paragraph 12: (...) s to delimiting the verse (also known as hom (...)
- Found in paragraph 13: (...) ting and separating verse. Especially in so- (...)
- Found in paragraph 15: (...) unaccented, or vice versa. (...)
- Found in paragraph 19: (...) forms, i.e., small strophes of two lines, were (...)
- Found in paragraph 20: (...) Attic symposia in diverse types of poetic ex (...)
- Found in paragraph 21: (...) presents a great diversity, but two main tr (...)
- Found in paragraph 22: (...) e strophic designs. Strophes often appear in gr (...)
- Found in paragraph 23: (...) e archaic saturnian verse (e.g., Livius Andr (...)
- Found in paragraph 24: (...) rom a definition of verse based on an isopod (...)
- Found in paragraph 25: (...) All verse forms used from th (...)
- Found in paragraph 26: (...) raditions. The main verse forms adopted for (...)
- Found in paragraph 27: (...) characterises long verses. Isosyllabism, ho (...)
- Found in paragraph 29: (...) talian, the line or verse is the fundamental (...)
- Found in paragraph 30: (...) r of syllables in a verse. Two consecutive v (...)
- Found in paragraph 31: (...) araliturgical Latin versus produced in the c (...)
- Found in paragraph 32: (...) drine, the names of verse lines in Romance l (...)
- Found in paragraph 33: (...) ecame the most used verse after alexandrine (...)
- Found in paragraph 34: (...) le or the Alcmanian verse. It is attested fr (...)
- Found in paragraph 35: (...) ame one of the main verses in French poetry. (...)
- Found in paragraph 36: (...) Some verse forms take on a pa (...)
- Found in paragraph 37: (...) the first types of verse aggregation (i.e., (...)
- Found in paragraph 38: (...) the ottava rima, a strophe of hendecasyllables (...)
- Found in paragraph 39: (...) distinction between versos de arte menor (sh (...)
- Found in paragraph 41: (...) not into two parts (versus), but the indivis (...)
- Found in paragraph 43: (...) the spread of free verse. (...)
- Found in paragraph 45: (...) assonance) in even verses. The distinction (...)
- Found in paragraph 46: (...) own as syllabotonic verse). The concept of “ (...)
- Found in paragraph 51: (...) accentual-syllabic verse. (...)
- Found in paragraph 53: (...) In free verse, which dispenses w (...)
- Found in paragraph 54: (...) some early English verse (and some modern a (...)
- Found in paragraph 55: (...) German verse underwent similar (...)
- Found in paragraph 56: (...) ian poetry, Hittite verse), metres based on (...)
- Found in title 14: (...) Free verse (...)
- Found in paragraph 62: (...) The rise of free verse during Modernity b (...)
- Found in paragraph 63: (...) orical wave of free verse, with great influe (...)
- Found in paragraph 64: (...) ther consists in conversational speech burst (...)
- Found in paragraph 65: (...) erns the concept of verse structure assumed (...)
- Found in paragraph 66: (...) something like a universal line length and, (...)
- Found in paragraph 68: (...) m.: akzentuierendes Versprinzip
alexandrine (...)
- Found in bibliography / webliography
- Found in paragraph 1: (...) ression in prose or verse – as how speakers (...)
- Found in paragraph 3: (...) ic quality of lyric verse, namely its “uniqu (...)
- Found in paragraph 22: (...) ord order (e.g., anastrophe), the omission and (...)
- Found in paragraph 25: (...)
Anastrophe, inversion
The inversion o (...)
- Found in paragraph 36: (...)
Chiasmus
The reversal of grammatical st (...)
- Found in paragraph 41: (...) nsiderable formal diversity: Many poems look (...)
- Found in paragraph 42: (...) Mallarmé’s crise de vers, ¶57; see also lang (...)
- Found in paragraph 49: (...) i convivono metri diversi e temi diversi, e (...)
- Found in paragraph 50: (...) in the unity of the verse or sentence” (“le (...)
- Found in paragraph 55: (...) ormal categories of verse, metre, and rhyme (...)
- Found in paragraph 56: (...) rmal restriction of verse and metre, as in A (...)
- Found in paragraph 57: (...) put it: a “crise de vers”. In opposition to (...)
- Found in paragraph 62: (...) ry, hard, classical verse” was coming, in li (...)
- Found in paragraph 67: (...) characterised by inversions, ellipses, and (...)
- Found in paragraph 69: (...) xpress something universal. In his Ästhetik (...)
- Found in paragraph 70: (...) e inclusion of free-verse poetry (Rhyme, Met (...)
- Found in paragraph 71: (...) mented on his controversial statement, which (...)
- Found in paragraph 72: (...) n-inspired syllabic verse system, which reta (...)
- Found in paragraph 74: (...) concise, and witty verse fables (Bajki i pr (...)
- Found in paragraph 75: (...) sed by a mastery of versification and the de (...)
- Found in paragraph 76: (...) ishes itself in all verse systems and metres (...)
- Found in paragraph 82: (...) e existing syllabic verse system, inspired b (...)
- Found in paragraph 83: (...) , as well as in his verse epics. Puškin elev (...)
- Found in paragraph 84: (...) ric poetry and epic verse is situated betwee (...)
- Found in paragraph 85: (...) t language into his verse, which is particul (...)
- Found in paragraph 86: (...) rtion of tripartite verse feet and dol’niki (...)
- Found in paragraph 88: (...) prevailing culture, versification and langua (...)
- Found in paragraph 93: (...) t of speech or of a verse line, the syntax o (...)
- Found in paragraph 95: (...) alist or linguistic versions. (...)
- Found in paragraph 99: (...) e first years of university. (...)
- Found in paragraph 101: (...) In scholarly and university practice, but al (...)
- Found in bibliography / webliography
