- Found in paragraph 1: (...) l approach of lyric poetics, which considere (...)
- Found in paragraph 2: (...) and materiality in poetry. Like other forms (...)
- Found in paragraph 3: (...) tain channel. Lyric poetry can be read on th (...)
- Found in paragraph 4: (...) in the literary and poetic field itself. (...)
- Found in paragraph 5: (...) e analysis of lyric poetry, this material tu (...)
- Found in paragraph 6: (...) edia studies (Lyric Poetry and Visual / Audi (...)
- Found in paragraph 7: (...) the poem. Multiple poetry channels are poss (...)
- Found in paragraph 8: (...) n the case of lyric poetry (Lyric Poetry and (...)
- Found in paragraph 9: (...) ateriality in lyric poetry. Instead of limit (...)
- Found in paragraph 10: (...) Poetry’s mediality and m (...)
- Found in paragraph 11: (...) he question of oral poetry is a good example (...)
- Found in paragraph 12: (...) l transformation of poetry is more that of a (...)
- Found in paragraph 14: (...) and materiality of poetry have been strongl (...)
- Found in paragraph 15: (...) A second strand of poetry research that has (...)
- Found in paragraph 16: (...) l strand focuses on poetry as a social mediu (...)
- Found in paragraph 17: (...) nt of view, today’s poetic practices are as (...)
- Found in paragraph 18: (...) me diversity of the poetic field as it has b (...)
- Found in paragraph 19: (...) tal spirit of those poetic forms that questi (...)
- Found in paragraph 20: (...) f Lyric; Publishing Poetry; Visual Patterns: (...)
- Found in paragraph 23: (...) l context where the poet (the lyric voice, e (...)
- Found in item 1: (...) ality of Lyric." In Poetry in Notions. The O (...)
- Found in bibliography / webliography
Search
17 articles with
poet
i General
i.4Translation in Lyric Poetry
- 2025
ii Context, Social Groups and Environmental Issues
ii.1Producer of Lyric
Müller, Ralph / Sabban, Adela Sophia - 2025
- Found in paragraph 2: (...) is not specific to poetry, nor even to lite (...)
- Found in paragraph 3: (...) erstanding of lyric poetry and authorship. I (...)
- Found in paragraph 4: (...) erstanding of lyric poetry that perceives th (...)
- Found in paragraph 5: (...) orienting function: poetry volumes appear un (...)
- Found in paragraph 6: (...) significance. Lyric poetry can be read, spok (...)
- Found in paragraph 7: (...) notion of solitary poets, however, neglects (...)
- Found in paragraph 8: (...) ious forms in lyric poetry, for example in t (...)
- Found in paragraph 10: (...) The production of poetry goes hand in hand (...)
- Found in paragraph 12: (...) separated from the poetic voice of the text (...)
- Found in paragraph 13: (...) the genre of lyric poetry has developed in (...)
- Found in paragraph 14: (...) e postures of melic poetry (e.g. Snell 1955, (...)
- Found in paragraph 16: (...) of the producers of poetry and the poems the (...)
- Found in paragraph 17: (...) history of ancient poetry, the idea that po (...)
- Found in paragraph 19: (...) A new type of poetry producer emerged (...)
- Found in paragraph 20: (...) in contrast to epic poetry, leaves little ro (...)
- Found in paragraph 21: (...) the forms of lyric poetry, both through the (...)
- Found in paragraph 22: (...) nism, the works and poetics of antiquity cam (...)
- Found in paragraph 23: (...) re, the notion that poetic competence could (...)
- Found in paragraph 24: (...) e commitment to the poeta doctus model is in (...)
- Found in paragraph 25: (...) This revaluation of poetic authorship can be (...)
- Found in paragraph 26: (...) t to drama and epic poetry, for which fictio (...)
- Found in paragraph 27: (...) in his Apology for Poetry (1595), Sir Phili (...)
- Found in paragraph 28: (...) e individual genius-poet transforms into an (...)
- Found in paragraph 29: (...) personality of the poet in order to define (...)
- Found in paragraph 30: (...) tion of the role of poets was met with incre (...)
- Found in paragraph 31: (...) at it means to be a poet. For Hölderlin, the (...)
- Found in paragraph 32: (...) Schiller understood poetry as a means of imp (...)
- Found in paragraph 33: (...) cism that, in lyric poetry “as a personal, i (...)
- Found in paragraph 34: (...) le of the modernist poeta doctus. In the ess (...)
- Found in paragraph 35: (...) ers to the artistic poetics of literary Mode (...)
- Found in paragraph 36: (...) sentations of lyric poets such as Else Laske (...)
- Found in paragraph 38: (...) epersonalization of poetry, biographical app (...)
- Found in paragraph 39: (...) sappearance of the poet which had earlier al (...)
- Found in paragraph 46: (...) in contrast to epic poetry and drama—as non- (...)
- Found in paragraph 48: (...) ic delimitations of poetic creativity have a (...)
- Found in paragraph 49: (...) rn the mediality of poetry (Mediality and Ma (...)
- Found in item 1: (...) ducer of Lyric." In Poetry in Notions. The O (...)
- Found in bibliography / webliography
- Found in paragraph 1: (...) l shift from nature poetry (Naturlyrik in Ge (...)
- Found in paragraph 2: (...) in place of nature poetry signals forms of (...)
- Found in paragraph 3: (...) a” (1921–1924), the poet imagines his own pa (...)
- Found in paragraph 4: (...) arge body of modern poetry written from an e (...)
- Found in paragraph 5: (...) nza Larkin suspects poetry like his own – an (...)
- Found in paragraph 6: (...) Snyder views lyric poetry not as the outpou (...)
- Found in paragraph 7: (...) introduced to lyric poetry when they first c (...)
- Found in paragraph 8: (...) t should blossom in poetry – the lyric havin (...)
- Found in paragraph 9: (...) antic yearnings for poetic reunion with natu (...)
- Found in paragraph 10: (...) ure and environment poetry clearly reflects (...)
- Found in paragraph 11: (...) me challenge to the poetic imagination (see (...)
- Found in paragraph 12: (...) -cultural contexts, poets embraced environme (...)
- Found in paragraph 13: (...) aesthetics of lyric poetry with the biocentr (...)
- Found in paragraph 14: (...) traditions, African poets confront the envir (...)
- Found in paragraph 15: (...) ormous challenge to poetry is posed by scien (...)
- Found in paragraph 16: (...) e Instance in Lyric Poetry). Merwin’s lyrici (...)
- Found in paragraph 18: (...) rpus of environment poetry is scrutinized th (...)
- Found in paragraph 19: (...) ective Geography of Poetry, Person and Place (...)
- Found in paragraph 20: (...) If, as Auden says, “poetry makes nothing hap (...)
- Found in paragraph 21: (...) r’s terms, could be poetic voices that invit (...)
- Found in item 1: (...) . 2025. "II.5.Lyric Poetry and the (Human) E (...)
- Found in bibliography / webliography
ii.6Teaching Lyric Poetry
Brillant Rannou, Nathalie - 2025
iii Distribution and Communication
iii.1Oral and Written Lyric Poetry
Müller, Adalberto - 2025
- Found in paragraph 1: (...) l” and “written” to poetry, we should not fo (...)
- Found in paragraph 2: (...) “Oral poetry” is used to defin (...)
- Found in paragraph 3: (...) Historically, oral poetry appears first in (...)
- Found in paragraph 4: (...) Oral poetry is also used to r (...)
- Found in paragraph 5: (...) The concept of oral poetry can be also exten (...)
- Found in paragraph 6: (...) Scholarship on oral poetry expanded during t (...)
- Found in paragraph 7: (...) ew paradigm of oral poetry scholarship. Stud (...)
- Found in paragraph 8: (...) e history of modern poetry and the novel. Th (...)
- Found in paragraph 10: (...) ended up affecting poetry and lyric studies (...)
- Found in paragraph 11: (...) of oral and written poetry, and also have an (...)
- Found in paragraph 14: (...) r the study of oral poetry beyond folklore a (...)
- Found in paragraph 15: (...) nking, what we call poetry or lyrics is a fo (...)
- Found in paragraph 16: (...) e to a specialist: “poetry” permeates all se (...)
- Found in paragraph 19: (...) incorporated in his poetry (“I-Juca Pirama”, (...)
- Found in paragraph 22: (...) re repeated both in poetry and in the weavin (...)
- Found in paragraph 23: (...) way of thinking of poetry, and certainly wi (...)
- Found in paragraph 25: (...) d dialogism in oral poetry. Pedro Cesarino’s (...)
- Found in paragraph 26: (...) ng heteroglossia in poetry (Bakhtin 1981). (...)
- Found in paragraph 27: (...) s at work in Kaiowa poetry is not only the f (...)
- Found in item 4: (...) l and Written Lyric Poetry." In Poetry in No (...)
- Found in bibliography / webliography
iii.4Literary Critique of Lyric Poetry
Mergenthaler, May - 2025
iii.5Canons of Lyric Poetry
Rippl, Gabriele / Winko, Simone - 2025
- Found in paragraph 1: (...) n lists show, lyric poetry is less present t (...)
- Found in paragraph 2: (...) erary genres, lyric poetry has been valued a (...)
- Found in paragraph 4: (...) forts. Early Modern poetry collections and c (...)
- Found in paragraph 5: (...) p of American lyric poets, the so-called “sc (...)
- Found in paragraph 6: (...) nial literature and poetry into school curri (...)
- Found in paragraph 7: (...) entral instances of poetry canonization are (...)
- Found in paragraph 9: (...) f selected works of poetry from particular n (...)
- Found in paragraph 10: (...) Norton Anthology of Poetry (Ferguson et al. (...)
- Found in paragraph 11: (...) anderer / Teutschen Pöeten (Opitz 1624, ‘Mor (...)
- Found in paragraph 12: (...) arrative and drama. Poetry anthologies do no (...)
- Found in paragraph 15: (...) r 2012). Biopics of poets such as Sylvia Pla (...)
- Found in paragraph 16: (...) the field of lyric poetry anthologies curre (...)
- Found in paragraph 17: (...) reas of slam/spoken poetry and e-poetry/digi (...)
- Found in paragraph 18: (...) the canonization of poetry in general, and o (...)
- Found in item 1: (...) .5. Canons of Lyric Poetry." In Poetry in No (...)
- Found in bibliography / webliography
iii.6Peritext and Paratext in Lyric Poetry
Klimek, Sonja - 2025
- Found in paragraph 1: (...) a) Lyric poetry is connected in m (...)
- Found in paragraph 2: (...) llads collection of poetry written by himsel (...)
- Found in paragraph 3: (...) ith regard to lyric poetry in book form or i (...)
- Found in paragraph 4: (...) g the text of lyric poetry from its peritext (...)
- Found in paragraph 5: (...) tion of Greek lyric poetry in antiquity is b (...)
- Found in paragraph 6: (...) ollections of lyric poetry (see Genette 1987 (...)
- Found in paragraph 7: (...) arly modern period, poets used peritextual p (...)
- Found in paragraph 8: (...) onnections of lyric poetry and peri- or epit (...)
- Found in paragraph 9: (...) t examples of lyric poetry being studied wit (...)
- Found in paragraph 10: (...) fied works of lyric poetry, less canonical w (...)
- Found in paragraph 11: (...) r the reader, lyric poetry frequently evokes (...)
- Found in item 1: (...) d Paratext in Lyric Poetry." In Poetry in No (...)
- Found in bibliography / webliography
iv Textual Forms, Modes, and Subgenres
- Found in paragraph 1: (...) ” In the context of poetic expression, this (...)
- Found in paragraph 3: (...) e analysis of lyric poetry (see Burdorf 2009 (...)
- Found in paragraph 4: (...) much more in lyric poetry than in other gen (...)
- Found in item 24: (...) priests; others to poetry; I to my friends. (...)
- Found in paragraph 39: (...) history of Western poetics, there have been (...)
- Found in paragraph 40: (...) enre known as lyric poetry was first establi (...)
- Found in paragraph 41: (...) sses style in lyric poetry, this should not (...)
- Found in paragraph 42: (...) terogenity of lyric poetry lie far-reaching (...)
- Found in paragraph 43: (...) As modernist poetry favours poetic ob (...)
- Found in paragraph 44: (...) iated with Romantic poetry can be traced bac (...)
- Found in paragraph 45: (...) ernist and Romantic poetry, the preceding pe (...)
- Found in paragraph 47: (...) y of style in lyric poetry in the modern Wes (...)
- Found in paragraph 48: (...) tics of the Italian poetic tradition. Until (...)
- Found in paragraph 49: (...) ism in the field of poetic production and of (...)
- Found in paragraph 50: (...) a new idea of lyric poetry was accompanied b (...)
- Found in paragraph 51: (...) development in the poetic culture of the fo (...)
- Found in paragraph 52: (...) e style specific to poetry is usually discus (...)
- Found in paragraph 53: (...) the most important poetological writings of (...)
- Found in paragraph 54: (...) The association of poetry with the arousal (...)
- Found in item 31: (...) expressions of this poetic genre.”) (...)
- Found in paragraph 55: (...) dern definitions of poetic style sometimes t (...)
- Found in paragraph 56: (...) manticism: Romantic poetry in France ushered (...)
- Found in paragraph 57: (...) Baudelaire, French poetry found itself in a (...)
- Found in paragraph 58: (...) 20th-century French poetry comprises a pleth (...)
- Found in paragraph 59: (...) , the first notable poetological works were (...)
- Found in paragraph 60: (...) s was the time when poetic diction emerged a (...)
- Found in paragraph 61: (...) d by a loosening of poetic conventions in th (...)
- Found in paragraph 62: (...) e use of a distinct poetic language, or dict (...)
- Found in paragraph 63: (...) rman-language lyric poetry, we should take i (...)
- Found in paragraph 64: (...) While vernacular poetics based on Aristot (...)
- Found in paragraph 65: (...) h von der deutschen Poeterey (Book on German (...)
- Found in paragraph 66: (...) (Manierismus). The poetical ideal is to dem (...)
- Found in paragraph 67: (...) ion of enthusiastic poetic imagination in a (...)
- Found in paragraph 68: (...) ury onwards, German poetics emphasised that (...)
- Found in paragraph 69: (...) as objective, lyric poetry subjective, and d (...)
- Found in paragraph 70: (...) roduced into German poetry, especially by Fr (...)
- Found in paragraph 71: (...) Austria force many poets into exile (e.g. B (...)
- Found in paragraph 72: (...) ective and personal poetry, the Renaissance (...)
- Found in paragraph 73: (...) French and Italian poetic expression (espec (...)
- Found in paragraph 75: (...) t that the Romantic poet Adam Mickiewicz (17 (...)
- Found in paragraph 76: (...) e-symbolist thought poetry. (...)
- Found in paragraph 77: (...) snyk (1838–1897), a poet associated with Rea (...)
- Found in paragraph 78: (...) The late Symbolist poet Bolesław Leśmian (1 (...)
- Found in paragraph 79: (...) ist idiom of modern poetry is metre-less, rh (...)
- Found in paragraph 80: (...) ing taciturn ‘lyric poetry after Auschwitz’ (...)
- Found in paragraph 81: (...) onnoisseur of world poetry are characterised (...)
- Found in paragraph 82: (...) The polymath and poet Mikhail Lomonosov ( (...)
- Found in paragraph 83: (...) reat connoisseur of poetry both foreign and (...)
- Found in paragraph 84: (...) s (1814–1841) lyric poetry and epic verse is (...)
- Found in paragraph 85: (...) ed a lyric and epic poetry of committed Real (...)
- Found in paragraph 86: (...) r of lyric and epic poetry in the Symbolist (...)
- Found in paragraph 87: (...) model of Symbolist poetry: (...)
- Found in paragraph 88: (...) endings, their own poetic meaning. This idi (...)
- Found in paragraph 89: (...) The poetry of Osip Mandelšta (...)
- Found in paragraph 90: (...) The poet Boris Pasternak (18 (...)
- Found in paragraph 91: (...) become a celebrated poeta doctus. His spirit (...)
- Found in paragraph 92: (...) eception of classic poetics, as well as a sh (...)
- Found in paragraph 93: (...) ational thinking on poetry came from Russian (...)
- Found in paragraph 94: (...) erica, questions of poetic language and form (...)
- Found in paragraph 95: (...) e analysis of lyric poetry (e.g., Leech 1991 (...)
- Found in paragraph 96: (...) theories, cognitive poetics, see Tsur 1992; (...)
- Found in paragraph 97: (...) individuality of a poet’s soul. More influe (...)
- Found in paragraph 98: (...) ut the specifics of poetic style were invigo (...)
- Found in paragraph 99: (...) rary discussions of poetry usually embrace t (...)
- Found in paragraph 100: (...) cose. Ogni problema poetico è un problema di (...)
- Found in item 32: (...) IV.2.Lyrical Style, Poetic Language, Stylist (...)
- Found in bibliography / webliography
- Found in paragraph 1: (...) Oral and written poetry interweave sound, (...)
- Found in paragraph 2: (...) If literature, poetry included, is cons (...)
- Found in paragraph 5: (...) s is painting so is poetry) used by Horace ( (...)
- Found in paragraph 6: (...) ild bridges between poetry and modes of perc (...)
- Found in paragraph 9: (...) Indeed, the type of poetry that contest the (...)
- Found in paragraph 10: (...) the realm of visual poetry tout court. Imagi (...)
- Found in paragraph 11: (...) m, the value of the poetic image remains in (...)
- Found in paragraph 12: (...) rpart in Argentina, poetry deployed, as Guil (...)
- Found in paragraph 13: (...) ways of conceiving poetic images within ver (...)
- Found in paragraph 14: (...) visual condition of poetry require cross-ref (...)
- Found in paragraph 15: (...) this kind of visual poetry into modernism, a (...)
- Found in paragraph 16: (...) e history of visual poetry. In fact, Simmias (...)
- Found in paragraph 17: (...) visual and concrete poetry of the 20th centu (...)
- Found in paragraph 18: (...) her types of visual poetry include calligrap (...)
- Found in paragraph 19: (...) 20th century visual poetry – in particular t (...)
- Found in paragraph 20: (...) Lettrism is another poetic movement that hig (...)
- Found in paragraph 21: (...) that include visual poetry. For example, the (...)
- Found in paragraph 22: (...) uth America several poets were creating expe (...)
- Found in paragraph 23: (...) ole world of visual poetry opens up beyond t (...)
- Found in paragraph 24: (...) place within visual poetry beyond the book. (...)
- Found in paragraph 25: (...) periments in visual poetry, as in the cases (...)
- Found in paragraph 26: (...) 2; Oral and Written Poetry); studies of the (...)
- Found in paragraph 27: (...) nce mentions visual poetry, although this wo (...)
- Found in paragraph 28: (...) Concrete poetry theory as develop (...)
- Found in paragraph 29: (...) anorama on concrete poetry, also written in (...)
- Found in paragraph 30: (...) porary practices of poetry, the concern with (...)
- Found in paragraph 31: (...) ne genre of digital poetry name as kinetic p (...)
- Found in paragraph 32: (...) y notion of “visual poetry” has been discuss (...)
- Found in paragraph 33: (...) 20th century visual poetry embarked in globa (...)
- Found in item 1: (...) age and Object." In Poetry in Notions. The O (...)
- Found in bibliography / webliography
- Found in title 1: (...) Lyric poetry and visual / audi (...)
- Found in paragraph 1: (...) by Aristotle in the Poetics (1448b), is also (...)
- Found in paragraph 3: (...) non known as “lyric poetry” is nowadays also (...)
- Found in paragraph 4: (...) he borders of lyric poetry have constantly b (...)
- Found in paragraph 5: (...) such thing as “pure poetry” anymore, since g (...)
- Found in paragraph 6: (...) printed book, lyric poetry has always taken (...)
- Found in paragraph 7: (...) from 1950 to 1995, poetry linked to computa (...)
- Found in paragraph 9: (...) butes to expand the poet’s creative media an (...)
- Found in paragraph 10: (...) influential Digital Poetics, The Making of E (...)
- Found in paragraph 12: (...) al art, holographic poetry, cyberart, cyberp (...)
- Found in paragraph 13: (...) ples of illustrated poetry, digital poetry, (...)
- Found in paragraph 14: (...) Consequently, poetry has broadened its (...)
- Found in paragraph 15: (...) Video Poetry. According to Por (...)
- Found in paragraph 16: (...) Photo Poetry. With the inventi (...)
- Found in paragraph 17: (...) Audio Poetry. Lyrical practice (...)
- Found in paragraph 18: (...) Poetry 2.0 or Digital Po (...)
- Found in paragraph 19: (...) e of expression for poets, philosophers, and (...)
- Found in paragraph 20: (...) he creation of slam poetry is sometimes attr (...)
- Found in paragraph 21: (...) Visual Poetry, Concrete Poetry, (...)
- Found in paragraph 22: (...) by both artists and poets, and every creator (...)
- Found in paragraph 23: (...) rucker 2014, 17) or poets like Paul Valéry. (...)
- Found in paragraph 26: (...) ys of spreading the poetic word, but also ho (...)
- Found in title 5: (...) es for contemporary poetry (...)
- Found in paragraph 28: (...) ies about media and poetry. It is possible t (...)
- Found in paragraph 29: (...) d by the contact of poetry with audio-visual (...)
- Found in paragraph 30: (...) The Brazilian poet, scholar, and progr (...)
- Found in paragraph 31: (...) ity of contemporary poetic practices is so v (...)
- Found in paragraph 32: (...) Video Poetry. Ernesto de Melo (...)
- Found in paragraph 33: (...) Photo Poetry. As mentioned ear (...)
- Found in paragraph 34: (...) Audio Poetry. We can cite audi (...)
- Found in paragraph 35: (...) Poetry 2.0 or Digital Po (...)
- Found in paragraph 36: (...) ishing. Most of the poets cited in other cat (...)
- Found in paragraph 37: (...) ammers, Spoken Word Poets. According to Brog (...)
- Found in paragraph 38: (...) Visual Poetry, Concrete Poetry, (...)
- Found in paragraph 39: (...) Robert Grenier (see Poetry Foundation), who (...)
- Found in paragraph 40: (...) Urban poetry. This category is (...)
- Found in paragraph 42: (...) Will the poetry of twenty-first c (...)
- Found in item 1: (...) . 2025. "IV.8.Lyric Poetry and Visual / Audi (...)
- Found in bibliography / webliography